A Quote by Tyson Fury

Growing up, I was brought up around Irish music, Irish traditions. — © Tyson Fury
Growing up, I was brought up around Irish music, Irish traditions.
Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
When I was growing up, for example, everybody on our street was Irish. And all the girls did Irish step dancing. It was pre-Lord of the Dance - it was before anybody knew what gillys were - but we did, and there was such pride among the members of my family and people I grew up with.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
Growing up in an old-fashioned Bengali Hindu family and going to a convent school run by stern Irish nuns, I was brought up to revere rules. Without rules, there was only anarchy.
Being Irish and a citizen of the world, has made me truly appreciate Irish culture, music and history. Whether you're first, second generation Irish or even with no connection to Ireland, you should visit in 2013 for a unique experience.
I like the idea that something happens to everybody who comes to L.A. - whether they are Mexican, Irish, black, or hillbillies. You come here, and you leave all your traditions behind. And since there's no traditions here, you just make one up.
Wherever they went the Irish brought with them their books, many unseen in Europe for centuries and tied to their waists as signs of triumph, just as Irish heroes had once tied to their waists their enemies' heads. Where they went they brought their love of learning and their skills in bookmaking. In the bays and valleys of their exile, they reestablished literacy and breathed new life into the exhausted literary culture of Europe. And that is how the Irish saved civilization.
Irish music makes you want to get up and jump around.
My kids are Irish; I want them to grow up playing Gaelic football and learning Irish.
I do a lot of dialects in my act, including Irish, because I grew up in a neighbourhood that was predominantly Irish and Italian.
My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.
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