A Quote by Tyson Kidd

I want to entertain the audience. I want the people to get their money's worth. — © Tyson Kidd
I want to entertain the audience. I want the people to get their money's worth.
I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
After all these years, I still get nervous in front of people. I can't help it. I just, you know, I want it to be a good show, and I want people to get their money's worth.
All I want to do is entertain. I want to get good laughs and I want to entertain.
You want the audience to get your movie, and you want the audience to like it. It's as simple as that. If they don't understand what you're trying to say, you've failed. Of course, you can't get 100 percent of the crowd to understand the movie, but you know when you've reached the people you want to reach.
It doesn't matter if I'm playing a lead role or that of a comedian; I want my audience to have entertainment worth their money.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
The leftists are constantly whining and moaning about all the money in politics. They want campaign finance reform, right? They want to get all the money out of politics. They want government money governing campaigns. They want all the money out, they say. But then you look at their coffers, and it's overflowing with hundreds of millions of dollars.
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
I'm not ambitious. I don't want to get anywhere, I don't want anything more. I sometimes think that for me that is the real freedom, that I don't want anything. I don't want money or prizes. I want people to know that a war is going to be fought.
I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.
I want the largest audience I can get, because that's how I can charge the highest advertising rate. Which means what else do I want? Money. I am trying to earn a profit. It's capitalism.
I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.
I hope people leave my show thinking they've had a worthwhile couple of hours. The worst thing you want is for people to think they've wasted their time or didn't get their money's worth.
Some filmmakers don't want to just entertain, to play with the audience like a little ball and then dump them. They want you to be imaginative, and if you're intrigued, the work will grow on you and you're going to build your own interpretation.
People look at me as some bruiser, but I want to entertain people. I want people to applaud. I want to be the cause of people being happy, their emotions changing, to tell me I did a good performance.
When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.
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