A Quote by Uddhav Thackeray

It is not important to have a big chest. But you should have a heart in your chest. — © Uddhav Thackeray
It is not important to have a big chest. But you should have a heart in your chest.
The heart chakra is located in the center of your chest. Hold your right or left hand out. Now say "Me" and, as you do so, touch your chest. You will automatically touch your heart chakra.
Imagine Jesus crucified in your arms and on your chest, and say a hundred times as you kiss His chest, "This is my hope, the living source of my happiness; this is the heart of my soul; nothing will ever separate me from His love.
Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart.
I don't know if I was ever called out, but I definitely have been told my chest hair gets super long. I don't like it at all, so I definitely shave my chest a bunch. I have a really nice, huge eagle on my whole chest, with the words "Strength" and "Honor" and "Sanctimony" around it, so I like to keep that clean and clear.
Acceptance, when it comes, arrives in waves: Listen with your chest. You will feel a pendulum swing within you, favoring one direction or another. And that is your answer. The answer is always inside your chest. The right choice weighs more. That's how you know. It causes you to lean in its direction.
How do you 'accidentally' kill a noble man in his own mansion?" "With a knife in the chest. Or, rather, a pair of knives in the chest.
You can do all them push-ups to pump up your chest, I got a 12 gauge Mossberg to pump up your chest, Have you gasping for air after that shell hit your vest. Fear me like you fear God, 'cause I bring death.
And loneliness. I should say something of loneliness. The panic, the sweeping hysteria that comes not when you are without others, but when you are without yourself, adrift. I should describe the filthy province of mind, the blighted district inside, the place so crowded you cannot raise the eyelids of your eyes. Your shoulders are drawn and your head has fallen and your chest is bruised by the constant assault of your heart.
Grace is God as heart surgeon, cracking open your chest, removing your heart - poisoned as it is with pride and pain - and replacing it with his own.
Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.
Bran grabbed my hand,pulled me to a chest, and swung the heavy lid open. A white cloth covered the contents. He jerked it aside. Human heads filled the chest. "Oh God." He scooped a mummified head from the chest by a scalp lock and thrust it at me. "All of them are mine." This was officially the weirdest version of "come down to my place and I'll show you some etchings" I've ever been hit with.
My "heart". Does that pitiful organ still represent anything? It lies motionless in my chest, pumping no blood, serving no purpose, and yet my feelings still seem to originate inside its cold walls. My muted sadness, my vague longing, my rare flickers of joy. They pool in the center of my chest and seep out of there, diluted and faint, but real.
What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.
You ever feel like you know someone so much that they can breathe for you? Like when their chest and your chest rise and fall, they do it together because they have to? That's how it felt. That's how it always felt.
The whitewash'd wall, the nicely sanded floor, The varnish'd clock that click'd behind the door; The chest, contriv'd a double debt to pay,- A bed by night, a chest of drawers by day.
Jill was tall and slim, like most Moroi. With that figure came a modest chest. Angeline's chest...was not so modest.
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