A Quote by Udo Kier

There are a few directors - quite a few - who I would like to work with, but I have never written a letter to a director in my life. — © Udo Kier
There are a few directors - quite a few - who I would like to work with, but I have never written a letter to a director in my life.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
I don't think I have written a poem when I was completely sober. But I have written a few good ones or a few bad ones under the hammer of a black hangover when I didn't know whether another drink or a blade would be the best thing.
M. Night Shyamalan can draw quite a few people to quite a few things, and having the opportunity to work with him is very cool.
As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.
The mystery of writing advertisements consists mainly in saying in a few plain words exactly what it is desired to say, precisely as it would be written in a letter or told to an acquaintance.
I had done drama at university, but I never thought I could be a director. There were so few female directors then. I just assumed you had to be a man to be a director. I also assumed you had to be extremely authoritarian and extremely intellectual, none of which I was.
The saved are few, but we must live with the few if we would be saved with the few. O God, too few indeed they are: yet amongst those few I wish to be!
In a lifetime, you can say, yes, you have instances of pleasure, of happiness, you like some of your work, but your work is the entire story, and if you are not satisfied with a few moments of a few parts of that story, you would like to be able to adjust that.
There are many directors in the middle range who've made mostly successful pictures, and then there are a few great directors who've had some successes and some failures. I suppose my life would be smoother if I wasn't almost totally enamored of the latter category.
No matter what I've published - and you can look it up, I've published quite a lot in science, quite a few books too - none of it's very important. All will be forgotten and in a few years time will be a few comments in eight-point type in footnotes at the bottom of the page somewhere.
As a director, you've got to have quite a few projects going because you never know which one will actually come together with the financing and get the green light.
I think that there are quite a few acts which have stayed with the basic feelings and that's good. And I see something of a swing back to that. For example there are quite a few people copying my early stuff now. Like it's become a reference point or something.
No man is greater than his prayer life. The pastor who is not praying is playing; the people who are not praying are straying. We have many organizers, but few agonizers; many players and payers, few pray-ers; many singers, few clingers; lots of pastors, few wrestlers; many fears, few tears; much fashion, little passion; many interferers, few intercessors; many writers, but few fighters. Failing here, we fail everywhere.
Actually, the few good Chinese movies that foreign countries choose to import are Zhang Yimou's, and mine, a few directors, but how many movies can we make in a year? We can only make a few, while they turn them out continuously.
There are directors, and I think this is true of all directors, it would be true if I was a director - If the actor didn't want to do what I was suggesting, I would let him do it his way, and then I would say to him, "Just give me one where you do what the director wants", and that, of course, is the take that's used.
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