A Quote by Udo Kier

Sometimes, you can also have a big impact in a film just by doing something unexpected. — © Udo Kier
Sometimes, you can also have a big impact in a film just by doing something unexpected.
Sometimes we postpone releases because of another big film or some other reasons. In the end, the big film, too, postpones, and the impact is on the small films. So once you decide on a release date, you have to go ahead with it.
You're not just trying to do something marginally, incrementally better. You're doing something that is a fundamental paradigm shift, that will have exponential impact. That means it's harder to do, but ultimately, if it's successful, the impact it has is far greater.
There's also a lot of punch you get from doing an extreme closeup and have it just be that image with nothing around it. There's a clarity and precision and impact there that you sometimes lose if you put everything else in that background.
I do feel grateful, and I love what I'm doing, and I'm happy, and I'm living in the moment, but I also have my eye on the long game and the big prize, and that is just to make this a life-long career. To make a big enough impact on everybody to stick around for a long time.
Sometimes I feel indie directors are in the game so they can make a film to get hired to do a big film - that we're all doing this person's reel.
I'm most inspired by people who are doing what they love in a big, loud way. And big and loud doesn't always have to be big and loud. Sometimes these people can appear as a quiet storm, but in their full expression everyone feels the impact.
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
Black people loving and losing is something we don’t see enough of. We’re always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It’s time we reinvigorated that type of film.
There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
I did stories about unexpected encounters, back roads, small towns and ordinary folk, sometimes doing something a little extraordinary.
I'm about impact. One can make impact if they run a big business with a lot of zeroes. I've done that. One can also make an impact when you're a research analyst, where it's you and your associate. I've done that.
A franchise is dictated on the success of doing one film right, so if you can get it done correctly, you've got a chance of something else, but sometimes it just doesn't work that way. Ideally, it's insurance for the future; if you can do something, if you can find a character that people really do like, then you're very lucky.
Being a part of independent-film world, the independent-film community, that's what you do. You support each other. If someone's doing a movie and you trust them, you roll the dice. Sometimes it's gonna be good, sometimes it's gonna be something that's like, "Oh I don't know what the hell that is." But I've been more fortunate than not to have it work well.
The biggest impact that acting and theater had was, of course, stage presence, but it also had a big impact on my writing.
We have to get children to understand that not only do they have this incredible uniqueness, but they also have something that sometimes we forget about. They are also potentiality. They are much more undiscovered than they are discovered. And there's the wonder of it. It doesn't matter where they are, they're only just beginning and the big magical trip of life is digging it all out and discovering the wonderful you.
Sometimes silence is the most effective tool to make impact, and sometimes loud and big is the trick.
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