A Quote by Ueli Steck
It's like a living process. You start out, and you see the Eiger north face, and you think, 'That's impossible.' Then you start to dream. Then you climb the Eiger north face. Then maybe you go to the Himalaya.
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That's what it's all about. It doesn't matter if you climbed the Eiger's north face in two hours and forty-seven minutes or in two days. If it's your challenge, and you're happy with it, that's the most important thing.
I can respect the gulf that separates alpinism from a running race and still appreciate that the physiology that accounts for endurance is the same if you are running a foot race in the city park or front pointing up the second ice field on the north face of the Eiger.
I start by moisturizing my face neck and chest with my own anti-aging SPF And IR Defense Sunblock called Recapture 360... Allow to sink in... Then I like Neutrogena's range of spray on sunblocks for body... then I use a foundation with SPF 30 or higher on my face to add yet another layer of protection to my face.
Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
The problem is whether we are determined to go in the direction of compassion or not. If we are, then can we reduce the suffering to a minimum? If I lose my direction, I have to look for the North Star, and I go to the north. That does not mean I expect to arrive at the North Star. I just want to go in that direction.
It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.
Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.
I believe you have to start with a craft; you don't just start with a dream. You've got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did.
You sit and you let your fingers go to wherever they are going to go. You wait until you start to hear something, and you start to figure out what it is that you're doing. And then you add another piece next to that piece, and wait to see if some kind of pattern or something interesting starts to grow, and then you cultivate it.
Adoption was something that was always under my skin, that I knew would be a part of my life, and, when I decided to start filing, it was very clear. It was like I knew that this was exactly what it needed to be. So then you go through the process, and it's tough. It's not the easiest process - and then again, I've never liked things too easy in life. But it emotionally knocks you out.
I've had people say to me, "Well, how do I start collecting artworks?" Well, you start by buying. Buy what you like, buy what you can afford - and I'm not just saying that because I'm a dealer. You can't be so paralyzed to where you keep saying, "I've got to learn more." The best way to learn is to go home and actually put something on the wall. Then you've got an investment. Then you're living with it. Then you're in the game.
I look at it this way: How much of the day are you awake? You think, "I've gotta get that dry cleaning, I gotta get this going, and this, and this, and this." And all of a sudden it's dinnertime. And then there's a moment of connection with your spouse or your friends. Then you read and go to bed. Wake up and then it's the same all over. You're not awake, you're not living, you're not experiencing. We start early medicating ourselves. We start kids early, on TV and video games and so on.
For two summers, I lived up on the Eiger for close to 40 days. It was in a tent under this overhang near the start of Deep Blue Sea. I would drink the water that dripped from the ceiling.
And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere. I also can't believe that people like Stalin and Hitler are gonna go to the same place as Mother Teresa.
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