A Quote by Ulrich Beck
And therefore we must seek dialogue in this networked world. We must ask which voice was actually attempting to make itself heard and saw no other possibility of gaining a hearing. To that extent, for a while this also represented a forced opening of a cosmopolitan view.
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The soul is made of love and must ever strive to return to love. Therefore, it can never find rest nor happiness in other things. It must lose itself in love. By its very nature it must seek God, who is love.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
Some men […] choose to seek greatness, while others are forced to it. It is always better to choose than to be forced. A man who is forced is never completely his own master. He must dance on the strings of those who forced him.
If someone were to ask me whether I believed in God, or saw God, or had a particular relationship with God, I would reply that I don't separate God from my world in my thinking. I feel that God is everywhere. That's why I never feel separated from God or feel I must seek God, any more than a fish in the ocean feels it must seek water. In a sense, God is the "ocean" in which we live.
When primitive man heard thunder or saw the lightning, he could not account for either, and therefore concluded that back of them must be a force greater than himself. Similarly he saw a supernatural force in the rain, and in the various other changes in nature.
For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.
The world state must begin; it can only begin, as a propaganda cult, or as a group of propagandist cults, to which men and women must give themselves and their energies, regardless of the consequence to themselves The activities of a cult which sets itself to bring about the world-state would at first be propagandist, they would be intellectual and educational, and only as a sufficient mass of opinion and will had accumulated would they become to a predominant extent politically constructive. Such a cult must direct itself particularly to the teaching of the young.
The satisfaction of physical needs is indeed the indispensable pre-condition of a satisfactory existence, but in itself it is not enough. In order to be content, men must also have the possibility of developing their intellectual and artistic powers to whatever extent accords with their personal characteristics and abilities.
If, therefore, nonsense is really to be the literature of the future, it must have its own version of the Cosmos to offer; the world must not only be tragic, romantic, and religious, it must be nonsensical also.
The remarkable insights that science affords us into the intelligible workings of the world cry out for an explanation more profound than that which itself can provide. Religion, if it is to take seriously its claim that the world is the creation of god, must be humble enough to learn from science what that world is actually like. The dialogue between them can only be mutually enriching.
Truth is the most powerful thing in the world, since even fiction itself must be governed by it, and can only please by its resemblance. The appearance of reality is necessary to make any passion agreeably represented, and to be able to move others we must be moved ourselves, or at least seem to be so, upon some probable grounds.
And there I saw in the night the vision of a man....coming as it were from Ireland, with countless letters. And he gave me one of them, and I read the opening words of the letter, which were, The voice of the Irish...and as I read the beginning of the letter I thought that at the same moment I heard their voice - they were those beside the Wood of Voclut, which is near the Western Sea - and thus did they cry out as with one mouth: We ask thee, boy, come and walk among us once more.
All issues, therefore, must be resolved through dialogue and there can be no place for violence. Negativity and rejection cannot be the path for a vibrant country that is moving to seek its destiny.
It must be clearly understood that Soviet players do not seek simple systems in the opening, but try to formulate opening systems in which everything is complicated, distinctive, or new.
Humility consists of knowing that in this world the whole soul, not only what we term the ego in its totality, but also the supernatural part of the soul, which is God present in it, is subject to time and to the vicissitudes of change. There must be absolutely acceptance of the possibility that everything material in us should be destroyed. But we must simultaneously accept and repudiate the possibility that the supernatural part of the soul should disappear.
Each piece of dialogue MUST be "something happening". . .The "amusing" for its OWN sake should above all be censored. . .The functional use of dialogue for the plot must be the first thing in the writer's mind. Where functional usefulness cannot be established, dialogue must be left out.
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