A Quote by Uma Thurman

I would love to do something like Austin Powers to show off my comic timing. — © Uma Thurman
I would love to do something like Austin Powers to show off my comic timing.
You're supposed to not like the 'Austin Powers' movies because people ruin the catchphrases. 'Austin Powers' is so funny.
Austin Powers' is a huge success. If we get half of those numbers we will be elated. I think this film is more an 'Austin Powers' meets 'Shaft.' But, 'Undercover Brother' is totally unique.
There are some people who were born with good timing, and I think my comic timing is pretty solid.
Comic timing is something you are either born with or do not have.
I want to show there's an edgier side of people who love comic books. And there are people who don't look like you and me who do read comic books and who love artists.
Klaus Toppmoller: hair like David Gower and dress sense like Austin Powers.
It's hard to transfer one person's type of comic timing or approach to another person's. It's something you innately hear like a rhythm in your ear.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
I used to be the best comic actor in my batch. Everyone knew that my comic timing was impeccable.
My roles in comedies from 'Austin Powers' to 'Tommy Boy' to 'Wayne's World,' were sort of comedic 'straight man' parts. My character on 'Parks & Recreation' is the comic relief in a comedy. To play a character that appears strictly for laughs is sort of new for me and really fun.
I think the reason I choose the comic approach so often is because it's harder, therefore affording me the opportunity to show off. Also, a comic vision is my natural world view, but I've grown up in spite of myself and I can pass the comic twist if it detracts from what the characters need. Yes, the life of a saint is hard.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns.
Mo Willems was so helpful. I had met him a number of times, and I knew from his books how funny he was, of course, but it was really neat to be able to have his feedback. He's so great with comic timing. Working with him was like taking a master class in comic timing, because he could pinpoint right away if a section wasn't working. I remember him saying once, "No, you need a beat between this page and this page," and it was like, oh yeah, of course. I hadn't seen it, but being so good at what he does, Mo noticed it right away.
'The Larry Sanders Show,' it's actually about love, which would sound like a paradox at first. But if that love didn't exist, the darker attitudes would not play. You would have a one-dimensional, cynical show, which I don't think the show was.
I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.
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