A Quote by Uma Thurman

I guess somehow I got a reputation of being able to dance. — © Uma Thurman
I guess somehow I got a reputation of being able to dance.
Reputation is seeming; character is being. Reputation is manufactured; character is grown. Reputation is your photograph; There is a vast difference between character and reputation. Reputation is what men think we are; character is what God knows us to be. Reputation is seeming; character is being. Reputation is the breath of men; character is the inbreathing of the eternal God. One may for a time have a good reputation and a bad character, or the reverse ; but not for long.
I wanted it to be a wonderful combination of being able to dance a little bit, not being especially good, but also playing a character who says the line, "I love to dance".
It's very funny that I'm being appreciated for my dance moves because when I was young, I was made fun of, as nobody thought I was able to dance.
People say I've got a bad reputation. I think I've got the best reputation in the building.
I somehow got this reputation of diddling and dithering. I don't remember dithering at all.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
I guess the idea of doing albums in their entirety, in sequence, appeals to people. I guess it's the memory of being able to hear the music in the way it was originally presented.
There are three processes every company has to have: Somehow you've got to set strategies; you've got to have a budget, so you need an annual operating plan; and somehow you've got to do succession and people planning.
That excitement of how music makes you want to dance - that's what got me back into it, and that's what 'Honey' is about. Me just being able to enjoy myself again.
My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."
I've got this reputation for shooting one take which is a wonderful reputation to have but it's hard to live up to.
I don't want to build a reputation for just being able to take long throws.
Being on 'Dancing with the Stars' is an amazing opportunity. I consider myself lucky to be a part of the show and to be able to share my passion and love of dance with such a huge audience while managing to train a few celebrities in ballroom dance along the way.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
Being able to get a big body to change direction, I think that's huge. I don't think a lot of tight ends incorporate that enough. I got a lot of that from playing hockey when I was younger, being able to play on the inside and outside of skates, as well as on the basketball court, being able to put my foot into the ground and crossover.
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving [at Bernard's Leach studio]. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow express ourselves a little bit more in the daily work of the pottery.
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