A Quote by Umberto Boccioni
A portrait, to be a work of art, neither must nor may resemble the sitter... one must paint its atmosphere.
Related Quotes
To paint a human figure you must not paint it; you must render the whole of its surrounding atmosphere.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
Thought must never submit, neither to a dogma, nor to a party, nor to a passion, nor to an interest, nor to a preconceived idea, nor to whatever it may be, save to the facts themselves, because, for thought, submission would mean ceasing to be.
Musicians must make music, artists must paint, poets must write if they are to be ultimately at peace with themselves. What human beings can be, they must be. They must be true to their own nature. This need we may call self-actualization.
There comes a time when one must take the position that is neither safe nor politic nor popular, but he must do it because conscience tells him it is right.
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
Neither a work of nature nor one of art we get to know when they have been finished; we must surprise them in the process of beingcreated so as to understand them to some degree.
Those who are in the power of evil habits must conquer them as they can; and conquered they must be, or neither wisdom nor happiness can be attained: but those who are not yet subject to their influence may, by timely caution, preserve their freedom.
You must neither completely nor partially copy the art of others. If so, you will be producing kitsch.
In handling men, there are three feelings that a man must not possess-fear, dislike and contempt. If he is afraid of men he cannot handle them. Neither can he influence them in his favor if he dislikes or scorns them. He must neither cringe nor sneer. He must have both self-respect and respect for others.
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
Neither pleasure nor pain should enter as motives when one must do what must be done.
One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
The representative element in a work of art may or may not be harmful, but it is always irrelevant. For to appreciate a work of art, we must bring with us nothing from life, no knowledge of its affairs and ideas, no familiarity with its emotions.
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