A Quote by Umberto Eco
Authors frequently say things they are unaware of; only after they have gotten the reactions of their readers do they discover what they have said
Related Quotes
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
Sometimes reactions can be quite surprising: readers like things that you, the author, feel you've barely gotten away with; or they dislike one of the parts you secretly think is one of your little gems.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account.
If you look through the century, certain things have gotten better and certain things have gotten worse. I wouldn't say overall that things have gotten better. I think you could say things have gotten worse, but I don't think you could say that things have gotten better. Overall. You can't say that.
Mind not only what people say, but how they say it; and if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently (reveal) what their words are calculated to conceal.
Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.
I've often gotten the feeling that the only people who have learned from computer assisted instruction are the authors.
I've always kind of thought that reviews written by readers for readers are a kind of private space between consumers. It's their right to say anything they like about your material, and authors need to know that and respect that. As for my end, I'm aware of what my sales are, so I know that my books are working in the marketplace, at least for now, and beyond that, I have to just do my thing and stay focused.
It is impossible for authors to discover beauties in one another's works; they have eyes only for spots and blemishes.
In practice, the copyright system does a bad job of supporting authors, aside from the most popular ones. Other authors' principal interest is to be better known, so sharing their work benefits them as well as readers.
We decided we wanted the site to provide readers with fresh new stories to enjoy between major book releases by their favorite authors while allowing those same authors to flex their creative muscles.
What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.
I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.
As a reader, you’re often inside one or more character heads, so you know what they’re feeling, even if they can’t exactly say it, or they say it so obliquely that the other characters don’t catch it. Readers are frequently reminded of the gulf between what people say and what they mean, and such moments prod us to become more attuned to gesture, tone, and language.
Authors also create lovable, friendly characters, then proceed to do terrible things to them, like throw them in unsightly librarian-controlled dungeons. This makes readers feel hurt and worried for the characters. The simple truth is that authors like making people squirm. If this weren't the case, all novels would be filled completely with cute bunnies having birthday parties.
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