A Quote by Umberto Eco
To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.
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Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
I've always thought that one of the things that the Internet and the gaming world permits as a narrative technique is to not tell the story from beginning to end - to tell stories sideways, to give alternative possibilities that the reader can, in a way, choose between.
I need to tell the things that are important but which don't make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
There are stories in the Bible about people telling other people how to do things. When you hear this young man say "we don't give up," that's something human beings who win will tell you every time. Breaks will happen. When they happen, you keep the same mind about what you're doing. It's about we the people getting on with our lives and doing it that way.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
Narrative stories are nothing but models of karma and causality - how one thing leads to another. And a lot of narrative fiction is about causality that we don't immediately understand.
I think that there isn't a photograph in the world that has any narrative ability... They do not tell stories - they show you what something looks like. To a camera.
There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.
Who reads short stories? one is asked, and I like to think that they are read by men and women in the dentist's office, waiting to be called to the chair; they are read on transcontinental plane trips instead of watching banal and vulgar films spin out the time between our coasts; they are read by discerning and well-informed men and women who seem to feel that narrative fiction can contribute to our understanding of one another and the sometimes bewildering world around us.
Magicians are manipulating your consciousness. They are showing you something impossible. They're getting you to construct a narrative, which simply isn't true. So that means they know how to make you aware of certain things and blind to other things. What I'm hoping is that magic, this entertainment vehicle that has been around for a long time, will give us a real insight into the deep mysteries of consciousness
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
I'm interested in such things as the difference between how we perceive the world and what the world turns out to be. The difference is between the stories we tell others and the stories we tell ourselves. There is a wonderful Russian saying, which I use as the epigraph of one of my novels, which goes, He lies like an eyewitness. Which is very sly, clever and true.
For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't.
My mom used to tell me stories at night, read books to me - and I read 'em over and over and over again. And you know what I learned from that? I went back and looked at everything - Why do I like reading the same stories over and over and over again? What, was I some kind of nincompoop? No - the narrative gave me connection with my mom.
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