A Quote by Umberto Eco

When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
One of the problems of this genre is that there are cliches everywhere, and you've got to be careful and watch out. Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else. Milady is, in one sense, a villain because she does bad things.
The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones...If...we are obliged to create our own language, it is because there are dimensions to ourselves absent from clichés, which require us to flout etiquette in order to convey with greater accuracy the distinctive timbre of our thought.
There are no worse cliches than southern cliches. They make my skin crawl.
Clichés are what good writing is all about. Because our lives are basically clichés.
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
When everyone starts sounding the same, that's when you know the words and phrases have become clichés. Instead of speaking in clichés, I encourage people just to be themselves, let their passion burn brightly, and go work on things they love spending their time on.
It is hard not to speak in cliches about cancer. It can be even harder not to feel as if I have to live up to those cliches. I sometimes feel a deep sense of guilt for not doing a better job of making lemonade out of metaphorical lemons.
Don't avoid the cliches - they are cliches because they work!
Extreme pain to extreme pleasure has been the story of my entire life.
Our senses will not admit anything extreme. Too much noise confuses us, too much light dazzles us, too great distance or nearness prevents vision, too great prolixity or brevity weakens an argument, too much pleasure gives pain, too much accordance annoys.
The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
You have to be an extremist to believe that you're gonna be the president of the United States and your name is Barack Hussein Obama! And he's using extreme methods, but his application is very smooth. Michelle Obama is extreme, her presence is extreme. And it's an extreme good. Extreme is not negative.
I'm not a guy who likes cliches. I don't think that stereotypes and cliches are the end of the line, when it comes to a performance.
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