A Quote by Umberto Eco

I am a professor who writes novels on Sundays — © Umberto Eco
I am a professor who writes novels on Sundays
I think of myself as a serious professor who, during the weekend, writes novels.
I feel that I am a scholar who only with the left hand writes novels.
I can't inhabit my characters until I know what kind of work they do. This requires research because my jobs for the last decade have been author and professor, and I'd like to spare the world more author or professor novels.
I am nothing; I am but an instrument, a tiny pencil in the hands of the Lord with which He writes what he likes. However imperfect we are, he writes beautifully.
How many Sundays - how many hundreds of Sundays like this - lay ahead of me? “Quiet, peaceful, and lonely,” I said aloud to myself. On Sundays, I didn't wind my spring.
Workers should have Sundays off because Sunday is for the family. Calling for Sundays to be a holiday.
Ayn Rand is a rhetorician who writes novels I have never been able to read.
I sometimes say I am the extinguished professor, because what I'd really like to be is the postdoc, to have that kind of thinking. I think one can get very set in his ways with titles like 'distinguished professor.'
I am a professor at Stanford; I am a happy professor at Stanford. That's where I'm staying.
I could get a better education interviewing John Steinbeck than talking to an English professor about novels.
Most Sundays, with the exception of football Sundays, I work, because I don't take days off as long as I'm working on something that's supposed to be all in the same mood.
When I am writing novels I don't read a lot of novels so I try to catch up in-between.
I was promoted associate professor in early 1970 and full professor in October of the same year. I spent the two spring semesters of 1972 and 1974 as visiting professor at Harvard University, giving lectures and directing a research project.
I don't know why one author writes westerns while another writes detective novels. You don't know why. You go where the intensity is. I feel most comfortable writing about monsters. It's possible that I feel like a monster myself. Or maybe it's because we all have a monster inside of us, a vampire, a ghost, a witch or a werewolf. You do it because it works and it feels really right and authentic.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
I am suspicious of writers who say their work is original and influenced by nobody. If it is, it is probably uninteresting. The biggest source of novels is other novels.
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