A Quote by Umberto Eco

Sometimes my characters are not myself. — © Umberto Eco
Sometimes my characters are not myself.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I'm an actor. I have to play weird characters, quirky characters, strange characters, sometimes characters I don't understand.
I talk to myself on paper about my characters - sometimes writing in first person... I keep lists of unanswered questions that I can always turn to in order to get myself going.
I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
I immerse myself in everything I write; I feel what my characters do. I suffer with them. I cry as I type, sometimes to the point that I can't see the screen.
I do listen to myself sometimes and think, 'Is my moral compass so easily swayed by the characters I play, or is it me growing as a human being?'
In TV, you look to make characters consistent, but in real life, we're not consistent. Sometimes we're brave, and sometimes we're not. Sometimes we're very aggressive, and sometimes we back right down.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
The characters that have greys are the more interesting characters. The hero who sometimes crosses the line and the villain who sometimes doesn't are just much more interesting.
I think the whole Flawless thing backfired in my face. I'm just like, 'oh, man! We're out here calling ourselves Flawless, and being the most obnoxious characters, that even I wanted to slap myself sometimes!' Even I would get sick of watching myself on TV!
My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
I try to be true to the characters that I've created and sometimes I disagree with them, but their opinions about the story and the characters really matter to me.
I definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.
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