A Quote by Umberto Eco
From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
Related Quotes
Things, when magnified, are forgeries of happiness.
If my forgeries looked as bad as the CBS documents, it would have been 'Catch Me In Two Days'.
If my forgeries looked as bad as the CBS documents, it would have been "Catch Me In Two Days."
I am always fascinated when people talk about 'the forging of a nation'. Most nations are forgeries, perpetrated in the last century or so.
The tourist debauches the great monuments of antiquity, a comic figure, always inapt in his comments, incongruous in his appearance; ...avarice and deceit attack him at every step; the shops that he patronizes are full of forgeries... But we need feel no scruple or twinge of uncertainty; 'we' are travelers and cosmopolitans; the tourist is the other fellow.
The creation is the Bible of the Deist. He there reads, in the handwriting of the Creator himself, the certainty of His existence and the immutability of His power, and all other Bibles and Testaments are to him forgeries.
We must be compelled to hold this doctrine to be false, and the old and new law called the Old and New Testament, to be impositions, fables and forgeries.
The fact that you can forge a twenty dollar bill doesn't prove that all twenty dollar bills are forgeries.
These are the forgeries of jealousy; And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook, Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport.
Tragedy was foresworn, in ritual denial of the ripe knowledge that we are drawing away from one another, that we share only one thing, share the fear of belonging to another, or to others, or to God; love or money, tender equated in advertising and the world, where only money is currency, and under dead trees and brittle ornaments prehensile hands exchange forgeries of what the heart dare not surrender.
Each of the essays in this volume ranges widely across technical and philosophical domains. They examine both familiar automatons from throughout history and delight us with yet more that will likely be unfamiliar to most readers. But the real treat of the essays is how they will make Artificial Life researchers squirm as they recognize their own intellectual sleights of hand exposed for all to see. Those researchers and the Genesis Redux contributors are all ultimately interested in what it is that truly distinguishes us beings from other lumps of matter.
I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.
I know it is the fashion to say that most of recorded history is lies anyway. I am willing to believe that history is for the most part inaccurate and biased, but what is peculiar to our own age is the abandonment of the idea that history could be truthfully written.
When history is written as it ought to be written, it is the moderation and long patience of the masses at which men will wonder, not their ferocity.
'2001' was written in an age which now lies beyond one of the great divides in human history; we are sundered from it forever by the moment when Neil Armstrong and Buzz Aldrin stepped out on to the Sea of Tranquility. Now history and fiction have become inexorably intertwined.
I see lies everywhere - switch on the television, it's lies. Everything is lies. In the art world or science community, we are intellectuals, people who research, who are interested in learning and thinking. I think the level of lies is way lower than when you step into what I call "the outside world".
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