A Quote by Upasana Singh

When you are doing comedy, you need to get the right reaction from your partner. — © Upasana Singh
When you are doing comedy, you need to get the right reaction from your partner.
I think you can write very good comedy without a partner, but what I love about it, working with a partner, is that you get to places you'd never get on your own. It's like when God was designing the world and decided we couldn't have children without a partner; it was a way of mixing up the genes so you'd get a more interesting product.
The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
If your reaction to your partner's fear-or any other form of distress- is disdain or irritation, you do not want oneness or even friendship with your partner at that moment.
I enjoy it all: performIng, doing TV, movies, comedy, drama, stand-up, animation voicework, singing, but you get that instant gratification from stand-up because it's your own commentary and you get to see the reaction from the audience that's right there in front of you. I also love coming up with characters and watching people embrace them and enjoy them.
If you don't have to have a partner, don't take one. If you do need one, look for a partner who can complement your weaknesses with their strengths. If you are at odds, you are never going to get anything done.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.
It's more pressure on women to - if they marry or partner with someone, to partner with the right person. Because you cannot have a full career and a full life at home with your children if you are also doing all of the housework and child care.
For ballroom dancing, remember that your partners have their own distinctive styles also. Cultivate flexibility. Be able to adapt your style to that of your partner. In doing so, you are not surrendering your individuality, but blending it with that of your partner.
Your partner cannot read your mind, so talk to your partner about how you're feeling and what you need.
The goal is not to solo. Of course, it is possible to move fast in alpine style also with a partner. I just need the right partner.
How do you know a partner is right for you? That has everything to do with knowing each other and practicing together until you work as one, until you begin to synchronise your movements and your thoughts and your rhythmical feel for the music with your partner.
If you need to bring in a business partner, make sure your partner brings along some money.
In our country, you need to be married to be eligible for many things, and to have a right on your partner's life.
...Nothing that your partner does is personal. Your partner is dealing with her own garbage. If you don't take it personally, it will be so easy for you to have a wonderful relationship with your partner
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