A Quote by Upasana Singh

I am doing the remake of 'Bai Chali Sasariye,' which was my debut in the Rajasthani film industry. It became a major critical and commercial hit in the history of Rajasthani cinema.
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
Sadly, we don't have Gujarati food on sets, but we do love the delicious Rajasthani dal-baati, gatte ki sabzi, and those proper Rajasthani thalis.
It is a sin if you come to Rajasthan and not have dal-baati and laal maans. I know it's a little heavy but I am okay doing extra push-ups in the gym than missing the droolworthy Rajasthani food.
There are too many shows about Rajasthani families.
I can speak Odiya, Telugu, apart from Hindi and a little bit of Rajasthani, so, truly Indian from that context.
The so-called "remake" is simply a commercial formulation of a much deeper exchange which accounts for the way cinema is what it is.
I am the last person who has any judgement about any kind of cinema, least of all commercial cinema because I am a product of commercial cinema.
The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.
I have a lot of kurtas and Rajasthani-patterned clothes. So I really wanted to do something with an Indian flavour. Shooting the video for 'Lean On' was like a dream come true for me.
I couldn't be happier starting 2019 with this film 'Haathi Mere Saathi.' It's the first time that I am doing a trilingual film which I'm excited about. It will be my Tamil and Telugu debut.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
The Indian film industry is very, very vibrant. It is a mix like it is in Hollywood - there is a lot of highly commercial cinema.
I am not against doing commercial cinema at all.
There is nothing wrong with commercial cinema if it is made well. In fact, if you ask me, the Hindi film industry has also produced some truly outstanding works over the years.
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