A Quote by Urijah Faber

Ribs are a real tricky thing: you don't really know when they're going to heal, especially when mine weren't broken. I don't know what it was, exactly - either a deep bruise or cartilage.
I have to have animals. They really make life worth living, and my world actually revolves around them. They know exactly when it's time to get up, exactly when they're supposed to get their food, and they let you know. Mine are right there in my face, first thing every morning.
God is real. You have a lot of prophets, angels; everything is real, you know. You know me - I'm a deep person, so my mind goes really, really deep.
Sometimes that´s all you need…, to know it´s not broken. To know you’re still whole and that you’ll heal.
When I'm writing with Tony Iommi, for example, still it's very easy. We go in, and I know exactly what his style is. It's very distinctive, and you know exactly what he's looking for, and we know exactly where we're going from the first chord.
You know, like, real paying attention and real observation and deep thought and deep consideration can be a bit, you know, miserable-making.
Here's the thing about broken hearts. You can always survive them. Always. No matter how deep the hurt, the capacity to heal and move on is even stronger.
I know my knee's going to heal. I know it's going to get back. I just don't know when.
There are a lot days where I don't know if God exists. There are a lot of days where I think the leadership of the Church is wacky, a lot of days where I really doubt why I am a part of this thing. But, down deep, I know it to be true. Down deep, I know how much I love it and that's what sort of gets me through. The churches are the pope, and its priests and its mystery and everything. I just sort of like the whole thing.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
I think I got a bruise from landing on you. I hear bacon is real good for healing a bruise.
I miss working. It's real, you know? But I don't know anything but songwriting, and I don't even know that. I didn't go to school; the only thing I know how to do is this. The only thing that I know is that I know nothing.
I've kind of banned myself from motorcycles. I've had broken ribs, broken shoulder, wrists, leg, broken collarbone - and it was all from motocross or rugby. All of my injuries have come from outside of sailing.
Being proposed to all is very nice and all that sort of thing, but it isn’t at all a happy thing when you have to see a poor fellow, whom you know loves you honestly, going away and looking all broken-hearted, and to know that, no matter what he may say at the moment, you are passing quite out if his life
Astley comes to my side. 'Are you well?' 'No,' I tell him, voice hoarse. 'I am not well. I am broken inside. I am broken almost all-the-way deep, and I don't know...I don't know if I can ever be unbroken, let alone well again'
I think the only thing for me, the tricky thing with the footnotes, is that they are an irritant, and they require a little extra work, and so they either have to be really germane or they have to be kind of fun to read.
I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.
This site uses cookies to ensure you get the best experience. More info...
Got it!