A Quote by Urijah Faber

I'm not really good at worrying. I think I get that from my pops. He can be in some really dire straights and be a real optimist, so I don't sweat the petty stuff. — © Urijah Faber
I'm not really good at worrying. I think I get that from my pops. He can be in some really dire straights and be a real optimist, so I don't sweat the petty stuff.
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
I don't really sweat the petty things.
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
I think this is really a defining moment for the Arab world. The problem is, it is all going to be about blood, sweat and tears. In certain countries it may be just sweat, and in some countries sweat and tears, and in some countries, as you can see, a lot of blood. I think initial instability is something that we are all extremely nervous of.
There's some really good stuff in the way I was brought up. There's some really rubbish stuff as well.
I don't really think of Dire Straits as a sound, you know. It. just depends on the song, and the stuff we're doing is so varied.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
I've never dated anybody. It's good to get experience under your belt but you should never get wild or go crazy. If I can't see myself with this person for life -- I can't be bothered. I can't waste my time. I have some really good men friends but I believe in no sex before marriage. No fornicating. Stuff like that. I really believe in that. I mean, I'm not perfect. It's hard to live by the Bible standards but I'm really comfortable with me.
It's time to start really writing some stuff, and I really wanted to write some stuff in the vein of the original Misfits, and this was really the first step in that direction.
I think it's important to visit people in prison. And if you know anyone in prison, I would encourage you very much to visit them. They're a good audience! I always get good letters from prisoners. I don't usually answer them because I have a lot going on in my life, but I get some really good ones, I get some really good letters from prison.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
There's only so much stuff you can buy. I have to retail the stuff. Stuff that's really really weird - it's cool, but who are you going to sell it to? I do collect some stuff. In the end, I have to run a business.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I think you have to be crazy not to want to work on the Joker! I can't think of many characters, heroes or villains, that are as malleable as him. He really can be interpreted in so many different ways, and generally, people don't really want to scratch the surface because you can get into some really dark territory real fast.
When I think about the stuff I've turned down or the stuff I wasn't interested in, I don't have any regrets. Yes, there were some movies that went on to be really popular. But now, how do they really fit into things?
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