A Quote by Urmila Matondkar
I would like to do films where I will be remembered after people leave the theatres.
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I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.
People often ask me how would I like to be remembered and I answer that I would simply like to be remembered.
To be the best and stay there sweat is necessary.
I'm older. Of course I'm older. That's the beauty of it.
Sixteen years plus different level of wisdom. Different level of understanding. Different level of punishment.
i want to live loooong after my records have fallen, long after my rings have tarnished.
Whatever you got to do to make sure you chase your legacy. Every second of your life.
How will you be remembered? How will you be remembered?
Why wouldn't you fight for the greatest achievement ever?
Leave your mark to endure forever.
It is good that people are experimenting with cinema. They are trying to do serious and soulful cinema but such films don't stay in theatres for over a week. People ultimately go and watch Salman, Shah Rukh and Amir Khan films.
I would like to be remembered as someone who accomplished useful deeds, and who was a kind and loving person. I would like to leave the memory of a human being with a correct attitude and who did her best to help others.
The thing I would like most to leave behind is to be remembered for trying hard.
I wish that we lived in a time and a generation where people would stop viewing my honesty as overly emotional. People always act like I spend my life crying in a dark room. I don't, I'm good. I'm a man. I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I don't think people realize that we die, we leave here, and either they forget about you or remember you. And how they remember you is up to you. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.
My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me - and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would more like to paint what it leaves with me.
If I am to be remembered for anything I have done in this profession, I would like it to be for the four films in which I directed Spencer Tracy.
Stars work because of familiarity. They fill theatres because audiences know who they are. There is a brand equity. But there are films strong enough to not need stars, or films that should not be made with stars at all, where only fresh faces will do. So I make the decisions accordingly.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
Will you be remembered, how would you be remembered, why wouldn’t you fight for the greatest achievement ever?
Some theatres back home used to screen arthouse films by Adoor and Shyam Benegal, and week-long festivals of films from France, Germany and the U.S.S.R. That was when I realised there was a world where people did not run around trees singing duets. That it was possible to make a different kind of cinema.
The experience of seeing a surf movie in the 1970s, as a teenager, and the energy in those theatres, was amazing. It was the only way to see people surfing. These guys would go out and make these surf movies and bring them to four-wall theatres. It was an incredible experience that I'll never forget.
I choose films for their artistic value. I don't need a mansion or a Jaguar. When I leave this Earth, I won't take any money with me. All I will leave behind will be my art.
In fact, I had never imagined that seven years after my ordeal, the #MeToo movement will start and that I will be talking about it all over again. This is nothing but karma. Dibakar has directed six films, even though I didn't get any films after I went public with my allegations.
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