A Quote by Urmila Matondkar
Stars have no say in the release of a film. There are too many factors involved.
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As an actor, I feel my job is to perform with utmost honesty and then it is just the film's fate. Of course, you want as many people as possible to watch your film, but there are too many factors and circumstances that come in between.
Every performance is different. There are so many factors involved... the people I've met that day, the weather, the city I'm in, conversations, sleep, mood, everything. However, there are many nights when the stars align and I feel like both the story teller and the stranger in the crowd, hearing it all for the very first time.
Success of a film is not only based on the film being good or bad. A lot of other factors are involved as well.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.
You can't do anything to a film post its release. I concentrate on working hard, giving the required inputs for the roles, having discussions with my directors and co-stars. It isn't possible to predict the fate of any film. I don't take failures to heart and successes to my head. These are part and parcel of this career.
I'm friends with many actors across the southern film industry, who've been my co-stars, too, and with whom I share a great rapport.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.
There are so many factors involved in picking a model for a shoot or show. If they want a brunette, then they're not going to go with me.
There are so many factors that go into having a successful movie.. too many that you can't control.
Hollywood is a deeply odd place. There are so many factors that have to go perfectly, so many schedules and visions that have to snap together for a film even to be made, much less be good.
I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film.
It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism. And there's so many expectations involved, too. You're going in to see the latest Martin Scorsese or Stanley Kubrick film, you really have high hopes, and you can't help but find that it's not exactly what you had in your head going in. Until you can watch it again, you can't accept the work for what it intends to be. It takes at least a second viewing.
You see many stars in the sky at night, but not when the sun rises. Can you therefore say that there are no stars in the heavens during the day? Because you cannot find God in the days of your ignorance, say not that there is no God.
A great many film stars perched on unstable ravine edges in the canyon systems of Los Angeles will, like the cemeteries there, eventually slide down to join their unfortunate fellows in the canyon floors, with mud, cars, and embalmed or living film stars in one glorious muddy mass. We should not lend our talents to creating such spectacular catastrophes.
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