A Quote by Urmila Matondkar

'Rangeela' and 'Daud' are both exciting films. The songs, the music, the dances - they all blend so well. — © Urmila Matondkar
'Rangeela' and 'Daud' are both exciting films. The songs, the music, the dances - they all blend so well.
Just because of 'Rangeela' and 'Daud,' it can't be said that I am a sex symbol.
In terms of creativity, both are equally satisfying. Music album is for yourself, where you compose songs and stuff like that, and in films, you have a story, characters, and songs penned by someone else.
Indian cinema is entertaining, and what I love most about it is the songs and dances in the films.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music that's associated with some particular defining moment in human experience.
Look at Sridevi, she dances well in all her films.
In part of Lord Kames' Elements of Criticism, he says that "music improves the relish of a banquet." That I deny,--any more than painting might do. They may both be additional pleasures, as well as conversation is, but are perfectly distinct notices; and cannot, with the least propriety, be said to mix or blend with the repast, as none of them serve to raise the flavor of the wine, the sauce, the meat, or help to quicken appetite. But music and painting both add a spirit to devotion, and elevate the ardor.
In the house of lovers, the music never stops, the walls are made of songs & the floor dances
I think my album, 'United We Are,' was the perfect blend or radio- and festival-friendly songs. I try to combine both.
Now a lot of people tell me that 'Daud' was ahead of its times. But when it came out, it was panned more than any of my films.
I'm a 90s child and I have grown up on a staple diet of David Dhawan films, Baazigar, Rangeela and Dil Chahta Hai.
The protest songs of the 1960s and 70s managed to blend political and societal views with music from the heart.
I love to play music, and this is fun, and let's record this stuff in a way that we both like. That was exciting enough, so we just recorded it. There was no business in it until the very last minute, really. It was really as much of an extension of me writing the songs in my bedroom as it could possibly be.
I write songs by sitting around in bars, so drinking songs are a little obvious. It's surprising that I don't write entirely drinking songs, since I am, in fact, drinking while writing the song. Drinking and love are the two principal sources of pleasure outside of music. There's only so many sources of pleasure, really. That's about it. Well, there are other arts as well. But none of them are as pleasurable as music, on a physical level.
A lot of times, songs can blend together on the radio because there's so many great songs out there.
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