A Quote by Urs Fischer
If you don't enjoy making work, then it's bad. It's rough. Artwork is brutal for so many people. They let it happen to them, but it's brutal. I like the idea of an artist as somebody who works. A lot of the artists I like share this understanding.
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Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.
Nowadays with the internet, it's an equal opportunity brutal playing field. I mean, everyone is brutal to everybody half the time. People can be unbelievably brutal on the internet, about everything. But they can also be really, really nice. The problem is that human beings like to focus on the negative sometimes, unfortunately.
I loved working on that show [Defiance]. I mean, that show was brutal. We worked long, brutal hours in really brutal weather.
Both sides in Syria are bad. One side is a brutal dictator, and the other includes Islamists and terrorists who are dangerous already and who would be brutal in power if given the chance.
I have had teachers who were brutal. If you look up 'brutal' in a dictionary, you will see their names. And I think that it's under the guise of wanting to change the actor's habit - wanting to break bad habits and replace them with brand-new ones you can use for the rest of your career.
I learned to share work with people even when it was in its rough stages without worrying that they'd be filled with scorn and hatred. After all, I can read their rough work without turning on them like a wildebeest.
In my own life, I share my home with works by artists like Elizabeth Murray, Martin Puryear, Jackie Windsor and so many others, whose creativity is clear and fresh and compelling; the works break through the usual, and they inspire creativity; they inspire responses and understanding.
I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.
I came to L.A. for pilot season, and it was so brutal. So brutal. But still, I just want to be making forward progress. There's lots of ideas about being a superstar. But my idea of being a superstar is just going forward and having new challenges and trying out new things.
I enjoy singing my songs in front of people. I enjoy being involved in making the artwork for albums and stupid stuff like that.
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
I know that there is still a lot of bitterness and anger, and arguably justifiably so, when you think about how brutal slavery was and what its brutal legacy still is.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
Coaches have the worst hours in the world. They go home maybe twice a week. They're sleeping in their office. They're watching film. It's a brutal, brutal job and that's why I respect them so much.
There is this brutal side to tennis. It was invented as a game for kings and cardinals and people with a lot of power who didn't have to share the field with other players.
Some think that it is cruel or brutal to remove the bottom 10 percent of our people. It isn't. It's just the opposite. What I think is brutal and "false kindness" is keeping people around who aren't going to grow and prosper. There's no cruelty like waiting and telling people late into their careers that they don't belong - just when the options are limited and they're putting their children through college or paying off big mortgages.
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