A Quote by Urs Fischer

Did you find any artists complaining who don't already complain all day long about everything? No. But have you ever met a dealer who thought it was okay? Well, you maybe. It's still the art world. It's meant to be extreme. It's supposed to stand for liberty or whatever but really it's an extremely conservative environment. Why does everyone wear jeans? Because it's practical. To say something is taboo-breaking is to assume you have a clear image of the quality of a dealer. But there are certain dealers who always work this way.
I've been covering the art industry for nine years, and I still don't feel like I have a clear grasp on what an art consultant does. What's the difference between a dealer and an art consultant? Who are they? What's their day to day like? So I asked a few private dealers, consultants and curators to talk about what they do. Everyone told me a different story.
Herman Melville was supposed to be an accountant. Van Gogh was meant to be an art dealer. I was meant to take the train into New York and work for a bank. To be an artist, you have to say goodbye to your family.
I come from an environment where the men actually say, "Is it OK if I take off my jacket?" in a meeting. Everyone wears suits; it is a very dressed-up world. Even if I wear jeans, I still wear a blazer and jewelry. I think there is something nice about coming to work and dressing nicely.
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
The so-called "secondary market" has also always been something that I'm comfortable with. I'm not a dealer who turns his nose up at that part of the business. I'm an art dealer - my primary responsibility is to represent the artist.
Whether we are New Dealer, Old Dealer, Liberty Leaguer or Red, whether we agree or not, we still have the right to think and speak how we feel.
Back in third grade, they used to say, 'Take whatever talent you have and think of something you can do with it.' I liked to draw, but what could I do with it? Maybe I could be an art dealer - nah, can't see myself doing that. Maybe I could do commercial arts?
As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.
I'm extremely, extremely lucky to be who I am and do what I do and work with the people I work with. Even though I can always find something to complain about, I find it very hard to complain.
People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'.
Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
All artists are anarchists in some way - some more extreme than others, but it's something that I think artists are supposed to do. We're supposed to present a different angle on everything, and I certainly think it is [art] as much as poetry, in my opinion.
Years later, I figured out why he (Ivan Karp) was such a successful art dealer-this may sound strange, but I believe it was because art was his second love. He seemed to love literature more, and he put the serious side of his nature into that...Some people are even better at their second love than their first, maybe because when they care too much, it freezes them, but knowing there's something they'd rather be doing gives them a certain freedom.
I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year. It's just too much. And at the end of the day, if you're a dealer and a professional, fine, that's your business, that's all you do. But as an individual, if you're not a dealer and it's not your business, you need time for these things. You need time to study what's happening. You need time to understand the market. You need time to go to a museum. You need time to see a show. You can't go to one every day. It's becoming a trend.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
I think the way I do things would be difficult to teach somebody to do. They need to get another good used car dealer. That's what they need. Find a good car dealer.
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