A Quote by Urs Fischer
Life is one long decay, no? There's a lot of beauty in it. Like the patina in an old city.
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What people love about life is its miraculous beauty; what they hate about death is the loss and decay around it. Yet losing is not losing, and decay turns into beauty, as beauty turns back into decay. We are breathed in, breathed out. Therefore all you need is to understand the one breath that makes up the world.
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
If those communities are left to decay, this city will decay.
Science, like life, feeds on its own decay. New facts burst old rules; then newly divined conceptions bind old and new together into a reconciling law.
I think it's evident that expensive neighborhoods in Seattle are surrounded by natural beauty. That elevates city life. So if we can make cities more attractive in the long run, we can be smarter about issues like development, zoning and economics.
I'm trying to photograph an old offshore oil city that is lying in decay in the Caspian Sea, but I've been having a hard time getting there.
For me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.
The beginning is always so fine!! But decay soon follows. A degeneration into the tired old situation. The rot sets in. This way, there is only the beauty of the start!
Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'.
It's just an old alley cat that has followed us all the way home. It hasn't a star on its forehead, or a silky satiny coat. No proud tiger stripes, no dainty tread, no elegant velvet throat. It's a splotchy, blotchy city cat, not a pretty cat, a rough little bag of old bones. 'Beauty,' we shall call you. 'Beauty' come in.
Valencia is a pure Mediterranean city; it is a city like Naples or Palermo, like Rome a little bit. Walking in the old town has a little bit of the flavor of the old city of Rome.
'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
I am going to enjoy life in Paris I know. It is so human and there is something noble in the city... It is a real city, old and fine and life plays in it for everybody to see.
That is what is so marvelous about Europe; the people long ago learned that space and beauty and quiet refuges in a great city, where children may play and old people sit in the sun, are of far more value to the inhabitants than real estate taxes and contractors' greed.
Life is like a garden. Quite naturally, leaves wither and flowers fade. Only if we clear the decay of the past then and there can we really enjoy the beauty of the new leaves and flowers. Likewise, we must clear the murkiness of the past bad experiences from our minds. Life is remembrance in forgetfulness. Forgive what ought to be forgiven; forget what ought to be forgotten. Let us embrace life with renewed vigor. We should be able to face every moment of life with renewed expectation, like a freshly blossomed flower.
A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.
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