A Quote by Ursula Andress
I was under contract to Paramount. They wanted to make me into somebody which I was not. So I got so scared and rebelled, so they threw me out of the studio.
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I am a black man
Who was born café con leche
I sneaked into a party, to which I had not been invited.
And I got kicked out. They threw me out.
When I went back to have fun with the black girls
All together they said 'Maelo, go back to your white girls'
And they kicked me out. They threw me out.
When I got the job with 'Superman,' it felt like somebody threw me into the ocean. I was just trying to figure it out, to figure out how to tread water. Lucky for me, I'm part of a great team.
Guys have made livings off me. Nick Anderson got a new contract. Travis Knight got a new contract off me. As a matter of fact, Derek Fisher called me yesterday to thank me. If you double me, I'm kicking out to Eddie, who's the best shooter in the East. Or I'm going to give it to Dwyane, or put it on the ground and come bang on you.
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.” “Which was to give me nightmares for the rest of my life?” “Oh, no, that’s just a plus. Why was I so scared of him?” “Hon, for one thing he was this powerful, massive, black smokelike being.” “So, you’re saying I’m a racist?
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
There have been 15 or 16 screenplays over the years, including one by me, but none of them has gotten made because Paramount is a huge studio. The Dice Man is an anti-establishment cult novel and you don't normally make studio films from such dark comedy material.
I rebelled against the Mormon Church by going to other churches. I rebelled against my parents by not eating meat. I rebelled against my friends and myself by doing drugs. And I rebelled against everything that was holding me down by playing music with these guys.
They wanted to buy out my contract, but I couldn't make change for a $20, so they had to let me stay.
When I first quit my day job, I was terrified. I called my editors and said I'm trying to make a go of this, and they threw every contract at me they could. And for two years, I had a book or an anthology out every month.
Somebody got a tattoo of me. Kind of threw me off a little bit, but the work was amazing... It's definitely good to feel that love and support.
I don't think I have rebelled against Latina culture. I have rebelled against those who try to make me warm tortillas for my brothers when they can warm them for themselves, I have rebelled against a patriarchal religion. I rebel against small mindedness in all ways and in every situation but those things are not an intrinsic part of Latina culture and I will fight tooth and nail against anyone who tries to make me feel like I'm less Xicana for not embracing the small-mindedness.
I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
My most recent novel didn't start out scaring me, but as I got deeper into writing it, it scared me. It's not so much where the story's going. It's where it came from. I always come out of it thinking, Okay, that got it all outta me. The next one's gonna be nice and simple, and it's not gonna scare me, and that never seems to happen.
O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all inthis place like you used long ago I wish somebody would write me a loveletter.
I make movies for me and posterity. I'm more scared of history than I am of the studio.
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