A Quote by Ursula Andress
Don't take anything from me because I'll track it down.
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I don't think most people know how to meditate - they fall asleep and they call it meditation. I prefer a kind of sweet, deep, rich prayer in which a person goes in and says, Take me down deep into the reason you gave me life. Take me down deep. It silences the chaos in me. Take me away from my sense. I need to go away now, because I'm in chaos - take me down deep. Hover over me, because I need grace. I say that a lot, many times a day. So that's my practice.
Everything hurts, every single thing including the weight of him and I'm crying because it hurts and he's telling me he's sorry over and over again, and I figure somewhere down the track we'll work out the right way of doing this but I don't want to let go, because tonight I'm not looking for anything more than being a part of him. Because being a part of him isn't just anything. It's kind of everything.
If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.
It's so hard to listen to these trains outside my window, here it comes again. And it's calling me, begging me, follow me down the track. And it moans so dark and low, baby ain't comin' back... It sounds like crying, it sounds like letting go. Breathing and lying, sinking and dying slow. And I watch from my window, touching the cold glass sky. As the train rolls down the track, I say goodbye.
A helmet is the most important part of any jockey's kit because of the number of falls you take, so I wouldn't want to be wearing anything on the track unless it had been thoroughly tested.
I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
My plan was to put him on a go-kart track when he was six years-old but he was with his mum at a track in Genk and he called me up crying because he saw a younger guy driving on the track. He said to me 'Daddy, I want to do this,' so when I got home from the Canadian GP, I bought him a go-kart and that's how he started.
Take me away from my sense. I need to go away now, because I'm in chaos - take me down deep. Hover over me, because I need grace. I say that a lot, many times a day.
I train with track athletes, which is weird for bobsledders. I love training with track athletes because they help me work on my speed, and they give me something to cheer for during the Summer Olympics.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
The most important thing for me is to have as much control over what's going on in front of me as I possibly can, so because of that, I don't play to a click track, and I don't have anything on the grid. Everything is triggered by me. Everything is played by me. Everything is within my control.
When I ran track, I couldn't see myself doing anything other than running track. Now I'm in wrestling, and I can't see myself doing anything other than wrestling, because I've completely fallen in love with what I do in this business.
If the oil price goes down, Russia will go down. You can track the Ruble, you can track the stock market, just off the price of oil.
I stopped watching sports because I didn't want to watch someone running up and down the field making millions and I'm not doing anything about it. That methodology made me go harder and take control of my career.
There's this notion that actors choose their career. After a certain level, I think that that's true. I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
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