A Quote by Ursula K. Le Guin

First sentences are doors to worlds. — © Ursula K. Le Guin
First sentences are doors to worlds.
I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
Both the dream state and Soul Travel are doors to the same spiritual worlds.
For the longest time I studied revenge to the exclusion of all else. I built my first torture chamber in the dark vaults of imagination. Lying on bloody sheets in the Healing Hall I discovered doors within my mind that I'd not found before, doors that even a child of nine knows should not be opened. Doors that never close again. I threw them wide.
The most striking aspect of linguistic competence is what we may call the 'creativity of language,' that is, the speaker's ability to produce new sentences, sentences that are immediately UNDERSTOOD by other speakers although they bear no physical resemblance to sentences which are 'familiar.
As the season progresses, it's like the doors open up to all the different worlds that were teased about in the pilot.
President Obama has reduced the sentences of 22 federal prisoners who were arrested for drug-related crimes - eight of whom were serving life sentences. It marks the first time someone has said 'Thanks Obama' but actually meant it.
When I was writing the first few books, what I would do is write a bunch of sentences and then go back and expand and explode those sentences, pack as much into them as I could, so they'd kind of be like popcorn kernels popping... all this stuff in there to make the writing dense, and beautiful for its density.
My mother, a very eclectic listener, had the first Doors album and gave it to me when I expressed interest in the band. It was one of the first records I ever had. As the years passed, the babysitters who used to look after me would bring their Doors albums to the apartment, and that's how I got to hear their later work.
I feel like my imagination was crafted by Tolkien. He seemed to tap into that childhood intrigue of secret doors and hidden worlds.
How many times have you opened a book, read the first few sentences and made a snap decision about whether to buy it? When it's your book that's coming under this casual-but-critical scrutiny, you want the reader to be instantly hooked. The way to accomplish this is to create compelling opening sentences.
I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.
Though both erotica and pornography refer to verbal or pictorial representations of sexual behavior, they are as different as a room with doors open and one with doors locked. The first might be a home, but the second could only be a prison.
I've never been to the Olympics, so I don't know what to expect. It's better for me, just like my first Worlds... My third Worlds, I knew what it was like, so I was like, 'Oh my goodness. But this is my first Olympics, and not knowing what to expect is good for me.
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