A Quote by Ursula K. Le Guin
There's a great fear of the imagination. It's a dangerous thing. It's out of control, it's subversive.
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I think I have a big fear of things spiraling out of control. Out of control and dangerous and reckless and thoughtless scares me, because people get hurt.
The more we try to control our kids and create who they are and where they're going, the more that will fall apart. That's a dangerous thing. So you need to actually manage the fear and figure out who your kids are. Who do they want to be and how can you help shape that, but not control it.
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
The conclusions seem inescapable that in certain circles a tendency has arisen to fear people who fear government. Government, as the Father of Our Country put it so well, is a dangerous servant and a fearful master. People who understand history, especially the history of government, do well to fear it. For a people to express openly their fear of those of us who are afraid of tyranny is alarming. Fear of the state is in no sense subversive. It is, to the contrary, the healthiest political philosophy for a free people.
The scariest, most terrifying thing that I fear? Yes. My Imagination. I thought you were going to say "Fear, itself." Then you have a small imagination.
Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work.
And what is the great thing that the stage does? It cultivates the imagination. And . . . the imagination constitutes the great difference between human beings. . . . The imagination is the mother of pity, the mother of generosity, the mother of every possible virtue. It is by the imagination that you are enabled to put yourself in the place of another.
So the Dark did a simple thing. They showed the maker of the sword his own uncertainty and fear. Fear of having done the wrong thing--fear that having done this one great thing, he would never again be able to accomplish anything of great worth--fear of age, of insufficiency, of unmet promise. All such great fears, that are the doom of people given the gift of making, and lie always somewhere in their minds.
What you accomplish in life is limited only by your imagination and the fear of reprisal. Life is too fleeting and unrewarding to have to live with the added anus of indignity. The denial of one's inevitable demise is what causes most of the astringent blandness in the world. When your existence ends most certainly in death, there is no such thing as 'going too far'. There are no 'lines' you should fear to cross except the finish line. Playing it safe is the most dangerous thing you could do.
It's fear, Jack. The man deals with a huge amount of fear.' Because he got hurt?' No, not entirely. Fear comes with imagination, it's a penalty, it's the price of imagination.
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
It turns out we are all quite easily swayed if someone knows what they are doing - which is a great thing and a dangerous thing.
Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize.
in a sense much great literature is subversive, since its very existence implies that what matters is art, imagination, and truth. In what we call the real world, on the other hand, what usually counts is money, power, and public success.
With more money brings more fear and when you're trying to be creative in a fear-based environment it's dangerous. Then decisions are made out of fear, not what's best for the film.
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