A Quote by Ursula K. Le Guin

We need writers who know the difference between the production of a commodity and the practice of an art. — © Ursula K. Le Guin
We need writers who know the difference between the production of a commodity and the practice of an art.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
Knowledge is the raw material of production and value in this age. It used to be that the main difference between people in our society was between those who have more and those who have less. Today, however, the difference is between those who know more and those who know less.
These days, information is a commodity being sold. And designers-including the newly defined subset of information designers and information architects-have a responsible role to play. We are interpreters, not merely translators, between sender and receiver. What we say and how we say it makes a difference. If we want to speak to people, we need to know their language. In order to design for understanding, we need to understand design.
As we practice, we begin to know the difference between our fantasy and reality.
The difference between theory and practice is larger in practice than the difference between theory and practice in theory.
It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.
There is no fundamental difference between the preparation for death and the practice of dying, and spiritual practice leading to enlightenment.
Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
The difference between a movie and a play is that the production you end up with is the production. If a movie that I spent time on turns out to be crap, it's never going to be made again.
The truth in acting is that we are all hired help. We are a commodity. There is no difference between being an actor and pork bellies.
Rule One. You must know the difference between an asset and a liability, and buy assets. If you want to be rich, this is all you need to know. It is Rule No. 1. It is the only rule. This may sound absurdly simple, but most people have no idea how profound this rule is. Most people struggle financially because they do not know the difference between an asset and a liability.
Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.
In any art, you don't know in advance what you want to say - it's revealed to you as you say it. That's the difference between art and illustration.
I'd always wanted to know the difference between a mark that was art and one that wasn't.
Writing stopped being fun when I discovered the difference between good writing and bad and, even more terrifying, the difference between it and true art. And after that, the whip came down.
... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but itcan not do without that life.
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