A Quote by Ursula K. Le Guin
The reader can't take much for granted in a fiction where the scenery can eat the characters.
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The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story.
I'm a compulsive reader of fiction. I fell in love with novels when I was a teenager. My wife Marilyn and I... our initial friendship began because we are both readers. I've gone to sleep almost every night of my life after having read in a novel for 30 or 40 minutes. I'm a great reader of fiction and much less so of non-fiction.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
Divorce is never a nice thing, but it's very easy to take family for granted, and when there's a divorce, you don't take things for granted so much.
My mother said I should have a 'change of scenery.' The word scenery made be think of a play. And as we were driving around, it made sense that way. Because no matter how much the scenery changed, we were still on the same stage.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.
There is always a temptation to take things for granted, to get lazy, and to presume that the reader knows more than they do.
So much of liberalism in its classical sense is taken for granted in the west today and even disrespected. We take freedom for granted, and because of this we don't understand how incredibly vulnerable it is.
Folk tales are my favourite form of story telling. They not only just adjust the reader according to the world it is introducing the reader to, but also enchant the reader with its mysterious and magical characters.
The little things I used to take for granted before I don't take for granted anymore. This whole situation has evolved me into a better person. Mentally, I'm much stronger, I'm more loving. I'm a man now. Cancer has played a huge role into making me into this person.
Terrestrial scenery is much, but it is not all. Men go in search of it; but the celestial scenery journeys to them; it goes its way round the world. It has no nation, it costs no wearinesss, it knows no bonds.
I was an actor for a little bit. That's when I started to understand fiction - and that one of the great things about fiction is that you're dependent on the characters as much as they're dependent on you.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
That's one of the reasons I take a lot of consolation in fiction. You have years to work on it. I think that allows you to reach for the best part of your reader instead of a lot of the internet stuff, in which you're kind of reaching for the worst or the most shallow part of your reader.
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