A Quote by Ursula K. Le Guin

Fantasy is probably the oldest literary device for talking about reality. — © Ursula K. Le Guin
Fantasy is probably the oldest literary device for talking about reality.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?
Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?
We talked [with Scott Derrickson] about making it kind of muscular and practical. Yeah it's a fantasy but what's the difference between fantasy and reality really?
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
What is appealing is the idea of attaining the unattainable and learning from it. Once you obtain a fantasy it becomes a reality, and that reality is not as exciting as your fantasy. Through the fantasies you learn to appreciate your own realities.
Design is about discipline and reality, not about fantasy beyond reality.
The essay is a literary device for saying almost everything about almost anything
A lot of times you talk about what you know, but since our reality is so difficult, its hard to think about travelling beyond the stars to another dimension - fantasy worlds - when, in reality, you can't get a job on Earth.
All entertainment is an element of fantasy because you are seeing something that is not quite real. There is no such thing as reality TV. Reality TV would be to leave a camera on in front of someone's house. Just leave it on. Then whenever the person comes or goes walking the dog or getting groceries, that's what it would be like. Any time you make an edit, you've lost reality TV. You're either compressing time or extending. That's a term that's been overused and overexposed. I think it's fantasy movies that take the fantasy of movies even further.
When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.
Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.
There are lots of imposters in this earth, and to very first there always comes a second, to every reality there always come a fantasy, and the fantasy wants to come and live the life of the reality
All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.
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