A Quote by Ursula K. Le Guin
Realism is a very sophisticated form of literature, a very grown-up one. And that may be its weakness. But fantasy seems to be eternal and omnipresent and always attractive to kids.
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Even though kids may have planned for months for the trip to Disneyland, some may be feeling very homesick, very forlorn, or very marginalized by the group. Your capacity to perceive those kinds of situations and respond to them in a pastoral way is the stuff you are teaching. And even though the kids may appear to be ignoring you, they are very aware of what you are doing and how you are doing it. They are also very aware of what you are missing and not picking up on.
It's true that French are not very sophisticated in the sense that they don't dress up for dinners. They are not like Americans, where they are always perfect - the girls are not very sporty; they don't take care of themselves as much as Americans, who always have very white teeth and are so fit.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
Kids will pick up on weakness, and I was very shy growing up. I was skinny and flat-chested; I didn't have the latest clothes. For me, it was about being left out and not having any friends and being laughed at. I was very lonely, but that happens to so many people.
A fantasy can be equivalent to a paradise and if the fantasy passes, better yet, because eternal paradise would be very boring.
Holiness is the very principle of eternal life, the very beginning of eternal life in the heart, and that which will certainly grow up to eternal life.
Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don't exist...
I'm from Norway, but I always felt like I'd grown up with British culture. We had everything from the BBC on our TV, so British drama seems very close to home.
I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.
Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times I've tried to push against it as much as I possibly could, but ultimately it is a folk-art form.
Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form.
There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way.
I originally came from Dresden, where Socialist Realism prevailed. Konrad Lueg and I came up with it, for the most part ironically, since I now live in capitalism. It was certainly 'realism', but in another form - the capitalist form, as it were. It wasn't meant that seriously. It was more a slogan for that particular Happening at a furniture store.
It's exciting when kids look up to you or kids come up to you and ask for your autograph. When grown ups come up to you, that's really not exciting. Why would a grown man be excited for meeting another grown man?
I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.
Would it not be better to have it understood that realism, in so far as the word means reality to life, is always bad art -- although it may possibly be very good journalism?
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