A Quote by Ursula Vernon

If I may bend your ear for a moment, I like Terry Pratchett. I like footnotes. I like footnotes even when they are not as entertaining as a Pratchett footnote, even when they are in the middle of a book on evolutionary biology and briefly explain the Red Queen hypothesis or the fate of the Stephen's Island Wren or how many bunnies can dance on the back of Australia. Footnotes fill me with a very mild glee. The endnote simply does not compare.
Sometimes it seems like there's more footnotes than text. This isn't something we're proud of, and over time we'd like to see our footnotes steadily shrink.
If I had been Terry Pratchett the farmer, or Terry Pratchett the dentist, nobody would have paid any attention if I had announced I had Alzheimer's. But there is something fascinating about an author losing the power over words.
My son and I discovered Terry Pratchett's books together, when he was about eleven years old. He'd be reading on his own and would start to laugh, and then eagerly read the passage aloud to me--and I'd do the same to him! Pratchett's books became a shared source of delight for us back then, and they still are today.
Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.
I've read a lot of Terry Pratchett's stuff, probably from when I was, like, 14.
Once your film is done, you can't explain to people what something was supposed to be. You can't give them footnotes. It all has to be there.
So, that notion of hypertext seemed to me immediately obvious because footnotes were already the ideas wriggling, struggling to get free, like a cat trying to get out of your arms.
You don't get to hand footnotes to the audience or explain what you were trying to do and what it's supposed to be. Everything has to be on the screen, and it has to be clear.
I'd go for "really great writer." Although I don't think I am. I know I have a style which is recognizable. I think you can see Terry Pratchett in every book. I like doing it. I was once a journalist. And I think of myself as a journalist, and that's it.
The illusion is an agreement between the reader and writer that this [story] will be like life. The emotional temperature drops when you have footnotes.
Nothing in these abstract economic models actually works in the real world. It doesn't matter how many footnotes they put in, or how many ways they tinker around the edges. The whole enterprise is totally rotten at the core: it has no relation to reality.
Endnotes, often confused with footnotes that live at the bottom of a page, is that lump of text at the end of the book, sometimes even relegated to a tiny font size. They're often forgotten but, in nonfiction, particularly history books, can offer a fascinating footprint into the author's research, a joyful, geeky abyss.
Terry Pratchett's right up my alley ... give him a try!
All historians generalize from particulars. And often, if you look at a historian's footnotes, the number of examples of specific cases is very, very small.
Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia." Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so." His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.
Never upstage a man. Don't top his joke, even if you have to bite your tongue to keep from doing it. Never launch loudly into your own opinions on a subject - whether it's petunias or politics. Instead, draw out his ideas to which you can gracefully add your footnotes from time to time.
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