A Quote by Usher

Live performance has always been my thing. It’s my purpose to master and capture the moment every time I have you connected. — © Usher
Live performance has always been my thing. It’s my purpose to master and capture the moment every time I have you connected.
I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.
Motion capture is exactly what it says: it's physical moves, whereas performance capture is the entire performance - including your facial performance. If you're doing, say, martial arts for a video game, that is motion capture. This is basically another way of recording an actor's performance: audio, facial and physical.
Every little thing has a purpose, at the same time, it has no purpose because this whole thing is a game. It is the existence which is total, beyond purpose. So you can say, virtually there is no purpose. If at all you have to pin down to a purpose then the purpose of nature is to take you to the Source, is to remind you of the Source, connect you to your Source.
Maybe at the core of me, I'm a survivor, but I don't do it on purpose. Sometimes, in acting of course with your performance, some of your own personal character seeps through. My performance goal has always been to perform for the audience. People pay their hard earned money, and so I always desire to give all of myself in every single scene.
With the movies, you do your preparation on your own. It's much more internalized and ... the actual performance is a kind of, just trying to capture one moment at a time, for the first time.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
Every drop of water in an ocean contains the flavor of the whole ocean. So too, every moment in time contains the flavor of eternity, if you could live in that moment, but most people do not live in the moment which is the only time they really have.
The purpose of all my photos is to capture the power of nature and convey it in a way that inspires someone to feel passionate and connected to the image.
I hate every moment of live performance.
I've come to think that the universe is a four-dimensional site in which nothing is changing and nothing is moving. The only thing that is moving along the time axis is our consciousness. The past is still there, the future has always been here. Every moment that has existed or will ever exist is all part of this giant hyper-moment of space-time.
For photography is a way to capture the moment - not just any moment, but the important one, this one moment out of all time when your subject is revealed to the fullest - that moment of perfection which comes once and is not repeated.
I've done a lot of films that are purely live-action roles, and even if I hadn't come across performance capture as a technology, I think I'd always consider myself a sort of mercurial actor.
Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.
When we meet a work of art, there's something about that encounter that isn't fixed in time, but rather, it unfixes time: the shaft opens. The past and present exist in the same moment, and we know, as beings, that we are connected. All the people who lived before us, all who will come after us, are connected in this moment.
I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
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