A Quote by Usher

There's always that one person, That will always have your heart. That one person for me is you. — © Usher
There's always that one person, That will always have your heart. That one person for me is you.
Your friend dies, and people always say, 'Oh, he lives through me,' or whatever. But it's just sad that they're not living. If a person dies that's close to them, then they say, 'I lost this person.' It always tripped me out because I would always be like, 'Yeah, but that person lost their life.'
My mom is the No. 1 person who has taught me to be courteous towards women, to always be respectful and polite to them, and to always lead with your heart.
There is no end of things in the heart. ...she understood it to mean that if you took something to heart, really brought it inside those red velvet folds, then it would always be there for you. No matter what happened, it would be there waiting. She said this could mean a person, a place, a dream. A mission. Anything sacred. She told me that it is all connected in those secret folds. Always. It is all part of the same and will always be there, carrying the same beat as your heart.
A person once asked me, in a provocative manner, if I approved of homosexuality. I replied with another question: 'Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?' We must always consider the person.
You have to learn to follow your heart. You can’t let other people pressure you into being something that you’re not. If you want God’s favor in your life, you must be the person He made you to be, not the person your boss wants you to be, not even the person your parents or your husband wants you to be. You can’t let outside expectations keep you from following your own heart.
I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
Good thinkers are always in demand. A person who knows how may always have a job, but the person who knows why will always be his boss.
Another person is, at the heart of it, unknowable. And if you cannot know a person enough to always guess what they’re capable of, you certainly cannot know them enough to hold them in your hands, to control their behavior, to fight, manipulate, cajole or nurse or soothe them into doing what they should or shouldn’t. People will do what they will do. The trick is admitting your own helplessness about that little fact.
Look with your heart and not with your eyes. The heart understands. The heart never lies. Believe what it feels, and trust what it shows. Look with your heart; the heart always knows. Love is not always beautiful, not at the start. But open your arms, and close your eyes tight. Look with your heart and when it finds love, your heart will be right.
I was always a giver by nature. I wanted to make sure the person next to me or maybe even the person I don't know didn't go without if I could help it. That's always been in me.
I've always really been a romantic at heart, and I have always wanted kids, and I think the idea of sharing your life with the right person is amazing, actually.
I can watch a movie and go, 'Oh, my god, that person is acting.' If you just listen to what the other person is saying, your response will always be genuine.
I'm lucky that I can walk down the street, and maybe one person will recognise me from 'The Simpsons,' and another person will recognise me from 'Spinal Tap,' and it's always surprising.
My dad always taught me that you have to be good to the next person all the time because one person is going to help another person.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
I'm always producing with the idea that the music is representing one person. That could play a factor in the intimacy of it. I'm always producing for that one person, never for a group of people - especially if it's non-danceable. I'm always thinking that one person's going to listen to this and that person might want to feel a certain way at a certain time. That can be out in space, it can be at the bus stop, it can be laying in bed listening to music. I look at it as if I'm whispering in someone's ear, basically.
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