A Quote by Utada Hikaru
And it was then that I realized wow, I'm able to write lyrics and sing and stuff like that.
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I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
I can't be bothered to learn Final Draft. I'm not a technical person. Like, when I sing, I just want to sing the melody and write the lyrics.
Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.
To write lyrics and sing stuff used to be a real chore for me, especially before this 'Diamond Eyes' record. I was spending years making records.
I come up with the ideas for my videos, and I write the lyrics and choreograph them, and I direct them and tell everyone what to do and how I want them to sing the parts and do the tongue pops and eye rolls and stuff like that.
I write the lyrics based on what is going on in my life - I'm not going to write about the old hair metal stuff, like castles and stuff.
It's no longer necessary to slave over the vocals. I don't sing the lyrics until I write them, and singing is the very last thing I do. I record the entire track, and then I worry about lyrics and vocals. The music will suggest where the words are going to a certain extent.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
Most of the songs that I write have nothing to do with the stuff that I used to sing about since I didn't write back then.
I don't feel pride like that with my own stuff. When I listen to my own music I'm happy with it, but when for example, I hear the beginning of "Last Stand" and I hear Kwabs sing the first line that I helped to write, I just think, wow. I can't believe I was involved in that. I can't even explain what it was like being in that room while we made that. That was really some magic.
I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.
When I sing a tune, the lyrics are important to me. Most of the standard lyrics I know well. And as soon as I hear an arrangement, I get ideas, kind of like blowing a horn. I guess I never sing a tune the same way twice.
Usually when I write lyrics I try to read a lot and listen to a lot of other stuff. Some of my favourite lyricists are like Lou Reed, kind of the classics - Bob Dylan and stuff like that.
I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
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