A Quote by Uzo Aduba

The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks. — © Uzo Aduba
The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks.
Singing is more of a hobby than really something I want to do for a career. But I love musical theater, so I'm hoping I can go back to it and do a role on Broadway for a few weeks. That would be a dream come true. My dream role would be Roxie in 'Chicago.'
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
I grew up dreaming of being on Broadway and being able to do that - and 'Hamilton' - was awesome, and it was the hardest thing for the first few weeks, and then it was the easiest thing.
Those first few weeks are an unearthly season. From the outside you remain so ordinary, no one can tell from looking that you have experienced an earthquake of the soul. You've been torn asunder, invested with an ancient, incomprehensible magic. It's the one thing that we never quite get over: that we contain our own future.
My first job after college was at Magic Quest, an educational software startup company where I was responsible for writing the content. I found that job somewhat accidentally but after working there a few weeks and loving my job, I decided to pursue a career in technology.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
But I have fun with the fright, work with it. You have to - that's your timing, that beat of excitement. And when I go on stage, it's just like taking a step into heaven. Poof, you know? Poof - and there I am.
I first started asking big questions when I was 12, and by big questions, I mean, 'Why are we here? What is this business? We're alive for a few short decades and then poof, we're out of here.'
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
What, I sometimes wonder, would it be like if I lived in a country where winter is a matter of a few chilly days and a few weeks' rain; where the sun is never far away, and the flowers bloom all year long?
If you can walk away from a landing, it's a good landing. If you use the airplane the next day, it's an outstanding landing.
I can't tell you the thrill and joy of when I was cast in my first Broadway show. Granted, it was 'Starlight Express' and it was exhausting, but it was my first time on Broadway, and there was nothing like it.
Being the only non-Black was a unique experience. After a few weeks, you're not aware of skin color differences. You see the color; you're not blind, but it doesn't matter. You see the human being first.
Broadway, in my opinion, is a microcosm of America. Those challenges that we have in our country, I think we still have those challenges on the Broadway stage. I think there are far too few African-American directors working on Broadway.
Cinderella is making her Broadway debut. It's an honor to step into that position and, in that way, I am creating a role because it's never been done on Broadway. I feel so honored.
The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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