A Quote by V. E. Schwab
I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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John Lewis we all know was beaten terribly, almost to an inch of his life, opened doors that will never be closed, although there are forces that are attempting to close those doors.
It's an exciting life. I don't know where God is leading us. I just know that He opens doors and He closes the doors, and it is always the best for us.
With One Spirit Medicine , you will discover how to dance between the visible, physical world of the senses and everyday tasks, and the invisible world of Spirit. You will be like the graceful jaguar, the balancing force of the rain forest who serves as an intermediary between the seen and unseen worlds as it journeys beyond death into eternity.
Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.
Everyone has doors in the living room of their lives that they assume are locked. Doors that lead to artistic expression. People say "I have no talent -- I can't dance or sing or paint or write poetry or play an instrument." More often than not the doors are not locked, just closed. One may turn the handle, open the door and pass through into a larger life space.
I've learned from the past that it's important to recharge and get time in-between jobs, and if I can't get time in-between jobs then when I know I've got some time coming up at the end of a job, really try and take advantage of that. And do very mundane things at home and putter in the garden and spend time with family and make music and, you know, play with the dogs. Just get back to being me.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
There's something about the people who knew you when you were young- before you had decided who you wanted to be. Before you knew what face you wanted to wear in the world. They're the only ones who really know you, you know?
There is how we were before, and how we are now, and the time between is spent choosing which doors to open, and which to close.
You have to come to your closed doors before you get to your open doors... What if you knew you had to go through 32 closed doors before you got to your open door? Well, then you'd come to closed door number eight and you'd think, 'Great, I got another one out of the way'... Keep moving forward.
Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
Seeking knowledge is like opening doors. And I know the doors are everywhere.
It was our favorite part of the day, this in-between time, and it always seemed to last longer than it should--a magic and lavender space unpinned from the hours around it, between worlds.
You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play.
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