A Quote by V. S. Naipaul
What matters in the end in literature, what is always there, is the truly good. And- though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall- what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing.
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I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
Being web video 'experts'/'pioneers,' whatever you may want to call us, has us always thinking about content that is outside the box, inherently viral in itself and good for web video audiences, as you can't just put out a good piece of content and expect it to be seen.
I wrestled before rugby league so I always had a pretty good wrestling background, a good base, and that helped with my football. It just meant my balance was always so good; a strong core, good hips and just things like that just really played a factor in how I ran the ball and tackled.
There's a lot of amazing women out there. There's a lot of hot models. But models are the worst, because they're models, you have to always step up and always look good.
The best way I know to get good work out of people is to create a good environment so that people have a good experience. I try to always hold up my own end by being prepared.
People always talk about the content, in terms of the politics of it or whatever social issues are in it, and it's like, "Yeah, but I'm also a good comic." You could at least talk about the form of it, and I feel like that's always the thing that's missed.
I've always felt I had the ability to be a good, elite defender in this league on the wing. I just need to lock in. I feel if I pick that up, I can be a very good all-around player.
A good photograph was never what I was looking for. I like to have a point. I had to have a point or I didn't have a picture. This is what I've always found so fascinating about paparazzi pictures. They catch something unintended, on the wing... they get that thing. It's the revelation of personality.
I had a big brother so I always wanted him to hang out with me, but he wouldn't. So I always did sports and I always really liked it, but I just was never good at it.
When I do plays in New York and do eight shows a week, you have the same feeling. Three of them are terrible, four of them are okay and one is really good. It's hard to say what accounts for the really good one or for the terrible ones, but you end up trying to remanufacture whatever worked for the good one, like eating a tomato. I ate a tomato and the show was good, but that of course is not how it works.
I've done things that can be made fun of. It's not such a bad thing. If I'm going to end up a role model, then I'd rather not end up being the kind of role model that pretends to be perfect, and pretends that she always has the right thing to say. I'm a product of role models that didn't make me feel like I was as good as them.
Sometimes people who seem good end up being not as good as you might have hoped, you know?
Too many people try to do the new job, new spouse, new house, new car thing in 18 months. That's a good way to end up broke. We've got to resist the temptation to catch up with our parents in 18 months. Slow down. You have the rest of your life to play catch up. After all, it's just stuff.
I was good at studies and played sports. The only difference was I had big dreams even as a child - I always knew I wanted to be an entrepreneur.
I made the New Zealand team, won medals around the world. I thought, 'I'm blessed. I've got a good talent.' I had no idea, though, how good I might be. But I loved the sport.
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
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