A Quote by V. S. Naipaul

One always writes comedy at the moment of deepest hysteria. — © V. S. Naipaul
One always writes comedy at the moment of deepest hysteria.
Honesty works against you in the entertainment field. I try to be a journalist and a documentarian, but that doesn't mean that people are going to embrace it at the moment. The point is I'm leaving the mark of my hysteria and the political hysteria, and that's it... I can only do what I do.
Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
Being in the moment means not being distracted by the melodrama and hysteria around you. Present-moment awareness allows solutions to emerge.
When I'm saying hysteria, I'm referring to Freud, because all the women were coming to him with symptoms and seeking help, and he just called it hysteria.
I've always loved the Sangha. I have the deepest, deepest respect for them. I'm very sorry that in the West people don't appreciate what the monastic order is about.
I've always been taught to just play the truth of the situation. If comedy comes out of that, or drama, whatever comes out of it, at least I'm playing the truth of the moment-to-moment reality.
I do love comedy, and when it's a comedy moment and you can make people laugh, of course it is wonderful.
I've also found that trying to be active with social media changes my moment-to-moment perceptions. Instead of feeling, "What's the deepest version of what's happening here?" I start to feel, "How can I use [or "claim"] this?".
I think 'The Musketeers' is probably the Dumas novel people are most familiar with, or if not that, it's 'The Count Of Monte Cristo'. I've always been a big fan of Dumas because, on the one hand, he writes a lot about revenge, but he also writes about the cost of it to the revenger - I'd always had an interest in that.
You want the vote so badly that you think it worth while to become hysterical over it.' 'There is not much hysteria in the movement, only hysteria is the thing that strikes a hysterical press as most worthy of note.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
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