A Quote by V. S. Naipaul
Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.
If you're a writer, the insight of other writers - if there's some kind of Holy Grail message on how to deal with writer's block or how to deal with any problem that can come up - whether you're writing about yourself or a group of people, I find that very interesting.
It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.
Some writers are only born to help another writer write one sentence.
Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
We think there is a knowledge or practice or surrender is needed that will close an imagined or felt gap, and allow some kind of merging with the truth. This is an idea, a thought that will keep you searching forever for some blissful experience that will last - no experience lasts. Who is watching this? Don't try to imagine it. You will only create another concept an imagined object and a lot frustration. Just be that. - and don't expect it to be wow experience...don't expect it to be anything.
A writer has to have some kind of compulsive drive to do his work. If you don't have it, you'd better find another kind of work, because it's the only compulsion that will drive you through the psychological nightmares of writing.
There is a great deal of busywork to a writer's life, as to a professor's life, a great deal of work that matters only in that, if you don't do it, your desk becomes very full of papers. So, there is a lot of letter answering and a certain amount of speaking, though I try to keep that at a minimum.
How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
I think that reading is always active. As a writer, you can only go so far; the reader meets you halfway, bringing his or her own experience to bear on everything you've written. What I mean is that it is not only the writer's memory that filters experience, but the reader's as well.
This is the life I live, and this is the stuff I experience. And like any good writer, I should just write about what goes in my life and what goes on around me. So that's what I chose to do.
It's weird - I don't feel like I'm a better or more confident writer because I'm publishing something. I think, for most writers as well, it's like reinventing the wheel every time. I have no idea what I'm doing writing a novel, and in some ways, it's the only way to do it.
This grant gave me more than memories; it gave me a crucial experience that is formative to all writers: the ability to perceive that we become writers in exile, where what we write is the only link across distance and time…I became a Maryland writer because the community of Juneau took me in.
All of us, writers and non-writers alike, have incredible well-springs of personal experience and history. And we also have imagination - which I think is a kind of human miracle.
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