A Quote by V. S. Naipaul

I'm thought to be a tough writer, but I'm really a softie. — © V. S. Naipaul
I'm thought to be a tough writer, but I'm really a softie.
I'm actually a softie. Tough guys get killed too early... I've got a full head of hair and don't wear eyeglasses.
I'm quite a softie really.
I didn't really think I would be a musician. I always thought I'd be a writer. I wanted to be a writer in college, but I thought I could be a better musician. I loved the process of writing music and lyrics more than I loved the process of sitting at my computer and writing. Because of that, I thought I would be a better musician than a writer.
I'm tough when I have to be, tender when I should be. When you find a really tough guy, he's not a predator. He doesn't have to prove himself. Guys who have to pretend to be tough, they ain't. I'm tough.
I try as hard as possible not to be pessimistic because I have never thought or believed that creating a Nigerian nation would be easy; I have always known that it was going to be a very tough job. But I never really thought that it would be this tough. And what's going on now, which is a subjection of this potentially great country to a clique of military adventurers and a political class that they have completely corrupted - this is really quite appalling. The suffering that they have unleashed on millions of people is quite intolerable.
But, somewhere in there, I did have the thought that this really fits in with my thinking about what I wanted to do; with what has to be done by a writer in order to stay alive as a writer.
I'm genuinely a big softie, I put this front on, and I'm just a laid-back fool really.
I was not encouraged to follow the career of a writer because my parents thought that I was going to starve to death. They thought nobody can make a living from being a writer in Brazil. They were not wrong.
I've always picked the fight that I thought would, you know what, that guy's really tough, and it's really competitive, but it's going to be a great show for the fans.
I have to be honest about this: I wouldn't tell a lot of kids to go and be writers. It's a tough, tough business. It's not a business. It's more like a tough road. It's a really tough road.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
I think Jesse Eisenberg is such a great writer. He was a great director and really tough.
I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
I thought a director was like a pillow who sat under the writer, supporting them and submitting to their vision. It took me a long time to realise that what a writer really wants is a production that matches the play and the writing. It is the only way the play can achieve its full potential.
I didn't know I was really a writer until I read it in the New York Times. And then I thought, "Oh my god, maybe I can really do this". That was a review of "Margaret."
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