A Quote by V. S. Naipaul
My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
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I suppose I could claim that I had suspected that the world was a cheap and shoddy sham, a bad cover for something deeper and weirder and infinitely more strange, and that, in some way, I already know the truth. But I think that's just how the world has always been. And even now I know the truth, the world still seems cheap and shoddy. Different world, different shoddy, but that's how it feels.
In the publishing world, most editors are probably women. So I don't see the publishing world as a male-dominated one, especially within fiction.
I enjoy writing. Publishing... not so much. I've been lucky to work with some very talented people in the publishing world, and the print industry has allowed me to write full time.
Well, the Internet is this miracle. It is an absolutely extraordinary idea that you can press a send button, and you are publishing to the world.
The book I'm looking for,' says the blurred figure, who holds out a volume similar to yours, 'is the one that gives the sense of the world after the end of the world, the sense that the world is the end of everything that there is in the world, that the only thing there is in the world is the end of the world.
As a reader, I want a book to kidnap me into its world. Its world must make my so-called real world seem flimsy. Its world must lure me to return. When I close the book, I should feel bereft.
I want a book to contain a world - indeed the world. Writing is my main means of engagement with the world and I want the scars of that engagement to be left in the language.
During the process of writing the book, I had this experience that was telling for me. I got it and the basic idea and got the plots and everything, but I wasn't sure who the audience was. I exist in this other world - in the book publishing and magazine world of people who would make fun of this project. We were driving home after two weeks in Maine, and we stopped in a gas station in Massachusetts and saw that Snooki had just been arrested. It was a surreal moment. My last few weeks were spent trying to get in this person's head, and there she was in on the cover of the New York Post .
When I'm writing about complicated subjects, it usually involves a world. It could be the world of Scientology or the world of Al Qaeda, or the world of counter-terrorism.I look for emblematic beasts of burden - what I call "donkeys" - who can carry the reader through this world. They serve a different purpose. Donkeys are not especially interesting or likeable, but they are serviceable. They will take you into this world. The distinction I'm trying to make is: It's not about them. It's about the world.
The difference between the world of pictures and the world of printed matter is extraordinary and hard to define. A picture is like the masses: a multitude of impressions. A book on the other hand, with its linear advance of words and characters seems to be connected to individual identity.
Book clubs are the best thing that has happened to the world of publishing.
From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me. I knew very extensively a lot about World War I.
When I am writing best, I really am lost in my world. I lose track of the outside world. I have a difficult time balancing between my real world and the artificial world.
One of the other reasons for writing this book [My Beloved World] was to hold on to the person you first met. More of the world knows about me now and follows me in a way that never happened before. I didn't want me, the inside of me, to change. Because I liked Sonia, the Sonia who has been. So another reason for writing the book was to hold on to that - whatever the best in Sonia was, to try to capture it.
The publishing world has been very slow to adapt to the digital world.
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