A Quote by V. S. Pritchett
The peculiar foreign superstition that the English do not like love, the evidence being that they do not talk about it.
Related Quotes
I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
Pakistan is, I always feel, hopeful. You know, our system of government is not, and the system of foreign policy whereby we do whatever is asked of us as long as the price is right only proves to fundamentalist outfits and to militant groups that when we talk of things like democracy, when we talk of things like foreign policy, what we're really talking about is being pro-American.
I love the English way, which is not as capitalistic as it is in America. People don't talk about work and money. They talk about interesting things at dinner parties.
One thing I love about being back is English rain. Looking out of the window now, it's raining, and the sky is dark; I love it. To me, those are reassuringly English things. I love it when it rains.
I don't believe in hell and heaven anymore. Or angels. I think Islam is a superstition like every other superstition. But now because it's a superstition, unlike Christianity, that hasn't been tested and hasn't gone through a process of enlightenment, I think it's a dangerous superstition.
Oh, I'm not English, I cannot talk on behalf of an English person. I'm French. I can say about French. They are quite emotional, though, and they talk about their emotions
Oh, I'm not English, I cannot talk on behalf of an English person. I'm French. I can say about French. They are quite emotional, though, and they talk about their emotions.
I can't talk about foreign policy like anyone who's spent their life reading and learning foreign policy. But as a citizen in a democracy, it's very important that I participate in that.
I have a superstition that if I talk about plot, it's like letting sand out of a hole in the bottom of a bag.
Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
I always had a sense of people and would talk with them. I talk to my doorman. I talk to everybody I work with. I enjoy it. I like being part of a real life. I love dreams. I love glamour. I love being invited to great places. But I don't really care if I go, as long as I'm invited. I get invited to so many things, but I'd rather go have a hamburger or see a movie.
I never talked about homosexuality with my family. After I was 18, they know everything, but I never talk; it was like an information but in silence. I start to talk when I was 32, it was good for me - it was like a liberation. I'm talking about a love story. I'm not talking about sex because love is love.
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