A Quote by Vaani Kapoor

I don't like the energy at award shows. It's rehearsed and everybody is just focused on themselves and nobody wants to genuinely applaud for anyone else. People aren't even listening if someone is giving a speech on stage.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
Everybody wants to be fancy and new. Nobody wants to be themselves. I mean, maybe people want to be themselves, but they want to be different, with different clothes or shorter hair or less fat. It's a fact. If there was a guy who just liked being himself and didn't want to be anybody else, that guy would be the most different guy in the world and everybody would want to be him.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
Standards are like toothbrushes. Everybody wants one but nobody wants to use anybody else’s.
I'm a person, and everybody wants to be an all-star. Nobody wants to just be a role-player. I've thought about it. But the number one goal is to keep winning, so I'm more focused on that than being an all-star, honestly.
Everybody wants that spot: everybody wants to beat Nicola Adams. Everybody wants to be the Olympic champion; everybody wants to beat the Olympic champion. It's made me train that much harder and stay that much more focused. I guess, in a way, I've got them to thank for keeping me motivated and focused on the job I need to do.
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
People want people to do well. You can get focused on the bitter side of it, like, 'Everybody wants you to fail. Everybody's keeping the door closed to you,' but that's not true at all. Everybody's kind of in the same boat.
I am not the kind of person that wants to enforce my wants, likes, desires, on everybody else. I have no desire that everybody like what I like. I have no desire everybody say what I want to hear said. I have no desire everybody stop whatever they're doing and listen to what I have to say. I have no desire that everybody agree. No, that's not true. I do wish everybody agreed, but I'm not gonna sit around and force that on people.
I have a hard time with awards shows in general because I've never been part of the conversation. I just show up to work and do my job because I love the job and I love the people I get to make TV with. When someone wants to applaud it more than just watching it, that makes me somewhat uncomfortable.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
I do shows, stage shows all the time, and I'm so afraid that people are going to recognize themselves, and they never do. They never do. They're always like, 'Oh, that woman was ridiculous,' and yeah, they're talking about themselves.
Natural Giving: Anything we do in life which is not out of that energy, we pay for and everybody else pays for. Anything we do to avoid punishment, everybody pays for. Everything we do for a reward, everybody pays for. Everything we do to make people like us, everybody pays for. Everything we do out of guilt, shame, duty, or obligation, everybody pays for.
I thought cocaine was a fantastic drug. A wonder drug, like everybody else. It gave you [an] energy burst. You could stay awake for days on end, and it was just marvelous and I didn't think it was evil at all. I put it almost in the same category as marijuana, only hell of a lot better. It was a tremendous energy boost. It gave the feeling, a high, but nobody knew, well maybe a small percentage of people knew. But eventually everybody knew how evil it really was.
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