A Quote by Vaani Kapoor

Ideally, I want my films to work because I want the people who have invested their money to get back their investment and make profits too. — © Vaani Kapoor
Ideally, I want my films to work because I want the people who have invested their money to get back their investment and make profits too.
I like to work with people who want to make films because they are passionate about films and not because they want to sell films and make money. I am not for people who get the most saleable actor and then the most saleable director and sell the film.
If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
Businesses just want to increase their profits; it's up to the government to make sure they distribute enough of those profits so workers have the money to buy the goods they produce. It's no mystery - the less poverty, the more commerce. The most important investment we can make is in human resources.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
I try not to get typecast in any role, any image. I feel I can do justice to every kind of role, so why not make the best of it? See, commercial films alone can get you only so far. If you want to last as an actress, then you have to put in that extra bit of investment by doing off-beat films, too.
Ideally, I want to get out of the sport at least when I'm 30-31. I don't want to be one of those guys who stays around too long, so I want to get as many fights in as I can.
Individuals want to know that none of their own money is being invested in companies that put their profits ahead of international security.
The black groups that boycott certain films would do better to get the money together to make the films they want to see, or stay in church and leave us to our work.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money.
I want to do movies, but I want to do something that's good. I don't want to make any more films until I feel that I'm ready for it. I want to have good work, and a very elegant life. I believe you get what you want.
Don’t make stuff because you want to make money - it will never make you enough money. And don’t make stuff because you want to get famous - because you will never feel famous enough. Make gifts for people - and work hard on making those gifts in the hope that those people will notice and like the gifts.
I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
There is a sort of creative purity in an independent film, in the passion of the director, the passion of the crew. They're not getting a whole lot of money, so you know they are not there because they want to get rich. Instead, they are there because they want to make a movie. In the bigger films, I remember when I used to do those, it's just a job for a lot of people, so there is less of an intense energy devoted to the whole project.
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