A Quote by Vaclav Havel

I think theatre should always be somewhat suspect. — © Vaclav Havel
I think theatre should always be somewhat suspect.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
In the mainstream, I'm suspect because I'm black. I have dreadlocks, I have a goatee. I mean, I'm just suspect. In my classroom and at Columbia, I'm not as suspect because it's clear I know what I'm doing, but I am still suspect.
I always had an affinity for lizards. I've always felt somewhat close to them. They're reptiles. I find myself feeling somewhat reptilian at times.
I'm not sure I approve of theatre as a university course. I think theatre's something you do. I mean, literature is a subject; theatre is practical.
In my experience, you always think you know what you're doing; you always think you can explain, but you always discover, years later, that you didn't and you couldn't. This leads me to suspect that the principal function of human reason is to rationalize what your lizard brain demands of you. That's my idea.
There's one thing I've always known: You can let people suspect anything else about you, but you must never let them suspect you of knowing what you're doing.
In Peru, there is no theatre that produces an annual opera season, and though there is one orchestra in Lima, it's always struggling to survive. We shouldn't have just one orchestra, we should have 15, we should have 50! And you should start to build this from the children.
Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.
We are always paid for our suspicion by finding what we suspect. [So why not suspect good rather than bad in events, people and life and thereby find it more?]
The true historical genius, to our thinking, is that which can see the nobler meaning of events that are near him, as the true poet is he who detects the divine in the casual; and we somewhat suspect the depth of his insight into the past who cannot recognize the godlike of to-day under that disguise in which it always visits us.
The greatest human virtue bears no proportion to human vanity. We always think ourselves better than we are, and are generally desirous that others should think us still better than we think ourselves. To praise us for actions or dispositions which deserve praise is not to confer a benefit, but to pay a tribute. We have always pretensions to fame which, in our own hearts, we know to be disputable, and which we are desirous to strengthen by a new suffrage; we have always hopes which we suspect to be fallacious, and of which we eagerly snatch at every confirmation.
Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
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