A Quote by Val Kilmer
I saw the horizon. It's out there. And though I may not ever be able to touch it, it's worth reaching for.
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I'm not opposed to reaching out Hispanics. I'm all for reaching out to everybody! As Americans. Not as members of groups, and not treating people as though they're legitimate members of some grievance group, but reaching out to them as human beings.
Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.
A lot of Republicans are white Christians, but the Republican Party is reaching out to Hispanics, and reaching out to blacks, and reaching out to Asians.
President Obama's been reaching out to Iran, reaching out to Cuba, reaching out to Latin America. The only place he can't seem to be able to reach out to: Texas. ... Despite Governor Rick Perry talking about how Texas could secede from the Union if it wanted to, 75 per cent of the people who live there want to stay in the United States. Of course they want to stay. I mean, after spending all that time and effort sneaking across the border to get here, why would they want to leave?
When you reach for the horizon, as I've proven, you may not get there, but what a tremendous build of character and spirit that you lay down. What a foundation you lay down in reaching for those horizons.
I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.
You're never the same after you run the Iditarod, and I still lust to go out and run with dogs, even though I know that I shouldn't. But I'd give just about anything to be able to do it again. To see the horizon again from the back of a dog team would be wonderful.
I loved Mississippi and do to this day. The rainbows that stretch from horizon to horizon after a summer rain are the most spectacular I have ever seen.
My right hand was sort of casually near my gun, without looking like I was reaching for my gun. It wasn't easy. Reaching for a gun usually looks like reaching for a gun. No one seemed to notice though. Goody for our side.
It may be true that he travels farthest who travels alone, but the goal thus reached is not worth reaching.
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
Lust may be in the heart, though it be not seen by others; as guests may be in the house, though they look not out at the windows.
I am stressed because once I am flattened out so thin to be able to slide under a doorway, I may never be able to ever be unflattened so I could be regular sized again.
It was Buckley, as my father and sister joined the group and listened to Grandma Lynn’s countless toasts, who saw me. He saw me standing under the rustic colonial clock and stared. He was drinking champagne. There were strings coming out from all around me, reaching out, waving in the air. Someone passed him a brownie. He held it in his hand but did not eat. He saw my shape and face, which had not changed-the hair still parted down the middle, the chest still flat and hips undeveloped-and wanted to call out my name. It was only a moment, and then I was gone.
Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
There is nothing that man fears more than the touch of the unknown. He wants to see what is reaching towards him, and to be able to recognize or at least classify it. Man always tends to avoid physical contact with anything strange.
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